A Quote by Albert Camus

I'd have given ten conversations with Einstein for a first meeting with a pretty chorus girl. — © Albert Camus
I'd have given ten conversations with Einstein for a first meeting with a pretty chorus girl.
One girl can be pretty - but a dozen are only a chorus.
You know for some strange reason I like to write the verse first. I mean I know the majority of people do the chorus first and when I think about it, I guess it does make more sense to do the chorus first, but I just like to write the verses first, I don't know why.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Well, I tell you... the first chorus, I plays the melody. The second chorus, I plays the melody round the melody, and the third chorus, I routines.
I believe that we can accomplish any object that we make up our minds to, and no boy or girl ought to sit down and say, because they cannot do as well as somebody else, that they will not do anything. God has given to some people ten talents; to others, he has given one; but they who improve the one talent will live to see the day when they will far outshine those who have ten talents but fail to improve them.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
With 'Sierra,' this mean girl had all these kids bullying me - and I wrote the first verse and chorus the night before Tae and I came to Nashville.
I may not be the conventional girl, but that doesn't mean I'm not a pretty girl. Or that any girl isn't a pretty girl.
I started as a hoofer and all-round chorus girl. I did my first ballet lesson when I was three, then trained as a dancer and went into pantomimes and summer seasons. Acting came later.
Not far from the meeting's venue, at one of the famed Observatory Club tea meetings, Fred once started a talk by saying, 'Oh, Ooh, basically a star is a pretty simple thing.' And from the back of the room was heard the voice of R. O. Redman, saying, 'Well, Fred, you'd look pretty simple too, from ten parsecs!
You can call me a Mumbai girl since I have spent the first ten years of my life here. Then I shifted to Goa, where I got my first modelling break.
My first job was in pantomime; I was a chorus girl in 'Dick Whittington' at 16. I got the part by ringing the director daily to see if anyone had dropped out, and it paid off eventually, when I was cast as a rat!
You may admire a girl's curves on the first introduction, but the second meeting shows up new angles.
I was never pretty enough to be the pretty girl and I was never quirky enough to be the quirky girl. Boys didn't look at me in high school and think I was the pretty girl.
I am not a pretty girl. I don't want to be a pretty girl. No, I want to be more than a pretty girl.
As a little girl, I was in the church chorus.
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