A Quote by Albert Camus

He was conscious of the disastrous fact that love and desire must be expressed in the same way. — © Albert Camus
He was conscious of the disastrous fact that love and desire must be expressed in the same way.
I must try, however, as best I can, although I am very conscious of the fact that our feelings and strivings are often contradictory and obscure and that they cannot be expressed in easy and simple formulas.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
You ask me why I don’t love you, but surely you must believe I am very fond of you and if to desire to possess a person wholly, to admire and honour that person deeply, and to seek to secure that person’s happiness in every way is to “love” then perhaps my affection for you is a kind of love. I will tell you this that your soul seems to me to be the most beautiful and simple soul in the world and it may be because I am so conscious of this when I look at you that my love or affection for you loses much of its violence.
Empathy is choosing to see ourselves in another despite our differences. It's recognizing that the same humanity - the same desire for meaning, fulfillment and security - exists in each of us, even if it's expressed uniquely.
We are afraid of love because Love is a small death. Love requires that we should surrender, and we don't want to surrender at all. We would like the OTHER to surrender, we would like the other to be a slave. But the same is the desire from the other side: man wants the woman to be a slave; and of course the woman also wants the same, the SAME desire is there. Their methods of enslaving each other may be different, but the desire is the same.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.
I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?
Remember to stop as often as necessary to re-connect your energy. Stay full, stay in a state of love. Remember that once you achieve the state of love, nothing nor anyone can pull more energy from you that you can replace. In fact, the energy flowing out of you creates a current that pulls energy into you at the same rate. You can never run out. But you must stay conscious of this process in order for it to work. This is especially important when you interact with people.
It doesn't take much to show love, but at some time or another in your, praise God, disastrous life you must have felt, honestly and simply, what love is and how love likes to behave.
We get caught. How? Not by what we give but by what we expect. We get misery in return for our love: not from the fact that we love but from the fact that we want love in return. There is no misery where there is no want. Desire, want, is the father of all misery. Desires are bound by the laws of success and failure. Desires must bring misery.
Further conceive, I beg, that a stone, while continuing in motion, should be capable of thinking and knowing, that it is endeavoring, as far as it can, to continue to move. Such a stone, being conscious merely of its own endeavor and not at all indifferent, would believe itself to be completely free, and would think that it continued in motion solely because of its own wish. This is that human freedom, which all boast that they possess, and which consists solely in the fact, that men are conscious of their own desire, but are ignorant of the causes whereby that desire has been determined.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
I've experienced love and ambition and desire in my life, but never in the same way as in a family.
What we most need is the prayer of fervent desire for growth in grace, expressed in patience, meekness, love, and good deeds.
I see nothing wrong with the human trait to desire. In fact, I consider it integral to our success mechanism. Becoming attached to what we desire is what causes the trouble. If you must have it in order to be happy, then you are denying the happiness of the here and now.
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