A Quote by Albert Camus

...the play of the toughest and most lucid mind are at the same time both lavished andsquandered. — © Albert Camus
...the play of the toughest and most lucid mind are at the same time both lavished andsquandered.
Time is love, above all else. It is the most precious commodity in the world and should be lavished on those we care most about.
I knew I was in charge when with the ball. But on the toughest defenders I faced, I would say that my African brothers were the ones. We have the same mentality and thought the same way. Osei Kuffour was the toughest of them all.
All kinds of music comes out that I'm not prepared for. Some of it is good, some of it rubbish, but I kind of accept it all. That's the nature of stream-of-consciousness. You can't always come up with your most lucid material in the heat of the moment. I take that risk when I play live. I open up my mind, however fertile a creative springboard it is that evening.
For me and Steven to both play for Fulham at the same time was special.
When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.
You're right, we both have been working on these films [Kung Fu Panda] forever and we know these characters so well that literally we will react to the same note in the same way. We will have the same answer most of the time.
I'm not particularly lucid after a concert. I'm not very lucid before, either.
Language is, without a doubt, the most momentous and at the same time the most mysterious product of the human mind.
Indifference is more truly the opposite of love than hate is, for we can both love and hate the same person at the same time, but we cannot both love and be indifferent to the same person at the same time.
When there is no thought. no desire, no ambition, in that state of no-mind truth descends in you - or ascends in you. As far as the dimension of truth is concerned both are the same, because in the world of the innermost subjectivity height and depth mean the same. It is one dimension: the vertical dimension. Mind moves horizontally, no-mind exists vertically. The moment the mind ceases to function - that's what meditation is all about: cessation of the mind, total cessation of the mind - your consciousness becomes vertical; depth and height are yours.
The magical story is not a microscope but a mirror, not a drop of water but a well. It is not simply one thing or two, but a multitude. It is at once both lucid and opaque, it accepts both dark and light, speaks to youth and old age.
There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.
I loved both [Bob] Seger and the Eagles, knowing why they didn't play some of the songs I wanted to hear. But at the same time, they covered all the big bases, and the stuff that most people had heard. But they definitely had a bunch of album cuts that I wanted to hear that they didn't get around to.
We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
Nightwish is my band, and so is Revamp. They both get my 100 percent, which is why I also cannot do them both at the same time. They're both my babies.
There is no praise we have not lavished upon prudence; and yet she cannot assure to us the most trifling event.
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