A Quote by Albert Einstein
When I study philosophical works I feel I am swallowing something which I don't have in my mouth.
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In elaborating how "philosophy by showing" works, and in defending the idea that literature and music can contribute to philosophical "showing", I am also doing something more standardly philosophical. But I view most of the book as an interweaving of philosophy and literary criticism. If that entails a broadening of a standard idea of philosophy, it's a broadening I'd like to see happen.
I am more famed in Heaven for my works than I could well conceive. In my brain are studies & chambers filled with books & pictures of old, which I wrote and painted in ages of Eternity before my mortal life; and whose works are the delight & study of Archangels. Why, then, should I be anxious about the riches or fame of mortality?
That which is now called natural philosophy, embracing the whole circle of science, of which astronomy occupies the chief place, is the study of the works of God, and of the power and wisdom of God in his works, and is the true theology.
The study of Nature is intercourse with the highest mind. You should never trifle with Nature. At her lowest her works are the works of the highest powers, the highest something in the universe, in whichever way we look at it... This is the charm of Study from Nature itself; she brings us back to absolute truth wherever we wander.
Whenever you drop something by fight, it is never dropped. You can drop smoking by fighting, and then you will start doing something else which will become a substitute. You may start chewing gum, it is the same; You may start chewing pan, it is the same, there is no difference. You need something to do with your mouth - smoking, chewing, anything. When your mouth goes on working, you feel at ease because through the mouth tensions are released. So whenever a man feels tense he starts smoking.
I hate mouth noises of all kinds - chewing, swallowing, gum smacking, heavy breathing.
I always feel secure. I can't be a pure actor if I feel insecure. I can't let other things take over my love for acting. For me, it's a giving art. It is not something which I am doing for myself. I am doing it for my co-actors, unless it is something like 'Trapped'.
There is something embarrassing in... the way in which, ... turning suffering into images, harsh and uncompromising though they are, ... wounds the shame we feel in the presence of the victims. For these victims are used to create something, works of art, that are thrown to the consumption of a world which destroyed them.
I use biography, I use literary connections (as with Platen - this seems to me extremely helpful for appreciating the nuances of Mann's and Aschenbach's sexuality), I use philosophical sources (but not in the way many Mann critics do, where the philosophical theses and concepts seem to be counters to be pushed around rather than ideas to be probed), and I use juxtapositions with other literary works (including Mann's other fiction) and with works of music.
I have my father's lopsided mouth. When I smile, my lips slope to one side. My doctor sister calls it my cerebral palsy mouth. I am very much a daddy's girl, and even though I would rather my smile wasn't crooked, there is something moving for me about having a mouth exactly like my father's.
I have presented principles of philosophy that are not, however, philosophical but strictly mathematical-that is, those on which the study of philosophy can be based. These principles are the laws and conditions of motions and of forces, which especially relate to philosophy.
The importance of Plotinus is not only his own philosophical ideas which are quite interesting, but his historical impact as the founder of neo-Platonism which is the main philosophical tradition of late antiquity.
I love to revel in philosophical matters-especially astronomy. I study astronomy more than any other foolishness there is. I am a perfect slave to it. I am at it all the time. I have got more smoked glass than clothes. I am as familiar with the stars as the comets are. I know all the facts and figures and have all the knowledge there is concerning them. I yelp astronomy like a sun-dog, and paw the constellations like Ursa Major.
My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
I am pragmatic. That which works, works, and theory can go screw itself. However, my pragmatism also extends to maintainability, which is why I also want it done well.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
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