A Quote by Albert Einstein
The Revolution introduced me to art, and in turn, art introduced me to the Revolution!
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The differences between revolution in art and revolution in politics are enormous. Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
A revolution is bloody. Revolution is hostile. Revolution knows no compromise. Revolution overturns and destroys everything that gets in its way. And you, sitting around here like a knot on the wall, saying, “I’m going to love these folks no matter how much they hate me.” No, you need a revolution. Whoever heard of a revolution where they lock arms, as Reverend Cleage was pointing out beautifully, singing “We Shall Overcome”? Just tell me. You don’t do that in a revolution. You don’t do any singing; you’re too busy swinging.
It was the Russians that introduced the Chinese to Marxism. Before the October Revolution, the Chinese were not only ignorant of Lenin and Stalin but did not even know of Marx or Engels. The salvos of the October Revolution awoke us to Marxism-Leninism.
Just think for a moment if science really could move in the field of authenticity of works of art. There would be a cultural revolution to say the least, but also, I would say, a market revolution, let me add.
Queer culture was introduced to me at a very early age. It was introduced to me with a semi-positive facet because no one in my family is remotely homophobic or closed-minded.
Production of identity is a resistance element, an aggressive element. Both a refusal and an affirmation and an assertion, and certainly, we in Jamaica were talking about black art. And the idea that there is a role for art in the civil rights revolution and in the successor to the civil rights revolution.
You don't have a peaceful revolution. You don't have a turn-the-cheek revolution. There's no such thing as a nonviolent revolution.
I've met kids right out of the Olympics who tell me they can't wait to be introduced by me. After a fight, fighters say, 'Being introduced by you, what a thrill.' That's probably the best compliment I can get.
The religion of art, like the religion of politics, was born from the ruins of Christianity. Art inherited from the old religion the power of consecrating things and endowing them with a sort of eternity; museums are our temples, and the objects displayed in them are beyond history. Politics--or more precisely, Revolution--co-opted the other function of religion: changing human beings and society. Art was an asceticism, a spiritual heroism; Revolution was the construction of a universal church.
This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.
The move to creating stories was a natural progression for me, but the most pivotal time was probably in 6th grade: That year, a friend introduced me to the stories of Ray Bradbury, and a student teacher introduced me to creative writing.
I started going out with one of my managers and he really grew me up in a lot of ways. He introduced me not just to being a full-time traveler, which I was, but he was also really very interested in history and art and continued to open my eyes up to regional history; less splashy histories. He was interested in historical societies and stuff like that. He introduced me to a way of looking at the way communities form that is the foundation for the book that I've just finished writing that has to do with what I see as effective community-building wherever I've been traveling.
If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.
A revolution is bloody. Revolution is hostile. Revolution knows no compromise. Revolution overturns and destroys everything that gets in its way.
The white man knows what a revolution is. He knows that the Black Revolution is worldwide in scope and in nature. The Black Revolution is sweeping Asia, is sweeping Africa, is rearing its head in Latin America. The Cuban Revolution - that's a revolution. They overturned the system. Revolution is in Asia, revolution is in Africa, and the white man is screaming because he sees revolution in Latin America. How do you think he'll react to you when you learn what a real revolution is?
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