A Quote by Albert Einstein
The creative scientist studies nature with the rapt gaze of the lover, and is guided as often by aesthetics as by rational considerations in guessing how nature works.
Related Quotes
I felt more like a scientist exploring nature, and Windows was my environment. You don't pass judgment on nature; you just explain how it works.
I felt more like a scientist exploring nature, and Windows was my environment. You dont pass judgment on nature; you just explain how it works.
While I am describing to you how Nature works, you won't understand why Nature works that way. But you see, nobody understands that.
Nature must be viewed humanly to be viewed at all; that is, her scenes must be associated with humane affections, such as are associated with one's native place. She is most significant to a lover. A lover of Nature is preeminently a lover of man. If I have no friend, what is Nature to me? She ceases to be morally significant. . .
Though how nature works is way beyond man's ability to comprehend, I have found that observing how nature works offers innumerable lessons that can help us understand the realities that affect us.
People take it for granted that the physical world is both ordered and intelligible. The underlying order in nature - the laws of physics - are simply accepted as given, as brute facts. Nobody asks where they came from; at least not in polite company. However, even the most atheistic scientist accepts as an act of faith that the universe is not absurd, that there is a rational basis to physical existence manifested as law-like order in nature that is at least partly comprehensible to us. So science can proceed only if the scientist adopts an essentially theological worldview.
My father was a scientist and his colleagues were into pathology and microbiology, and study of viruses and how it spreads and mutates, so I understand the beauty with which nature works and more beautifully how our immune systems work.
Although scientific revolutions in how we see the world do occur, the bulk of our scientific understanding comes from the cumulative impact of numerous incremental studies that together paint an increasingly coherent picture of how nature works.
What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
The scientist who recognizes God knows only the God of Newton. To him the God imagined by Laplace and Comte is wholly inadequate. He feels that God is in nature, that the orderly ways in which nature works are themselves the manifestations of God's will and purpose. Its laws are his orderly way of working.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles...
Nature runs on sunlight.
Nature uses only the energy it needs.
Nature fits form to function.
Nature recycles everything.
Nature rewards cooperation.
Nature banks on diversity.
Nature demands local expertise.
Nature curbs excesses from within.
Nature taps the power of limits.
Nature, the ultimate pragmatist, doggedly searches for something that works. But as the cockroach demonstrates, what works best in nature does not always appeal to us.
we are nature. We are nature seeing nature. We are nature with a concept of nature. Nature weeping. Nature speaking of nature to nature.
For the Chinese, the Greeks, the Mayans, or the Egyptians, nature was a living totality, a creative being. For this reason, art, according to Aristotle, is imitation; the poet imitates the creative gesture of nature.
Nature. As the word is now commonly used it excludes nature's most interesting productions-the works of man. Nature is usually taken to mean mountains, rivers, clouds and undomesticated animals and plants. I am not indifferent to this half of nature, but it interests me much less than the other half.
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