A Quote by Albert Einstein
Is there not a certain satisfaction in the fact that natural limits are set to the life of the individual, so that at the conclusion it may appear as a work of art?
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The main object of the novel is to represent life. . .The success of a work of art, to my mind, may be measured by the degree to which it produces a certain illusion; that illusion makes it appear to us for the time that we have lived another life - that we have had a miraculous enlargement of experience.
The people, the ultimate governors, must have absolute freedom of, and therefore privacy of, their individual opinions and beliefs regardless of how suspect or strange they may appear to others. Ancillary to that principle is the conclusion that an individual must also have absolute privacy over whatever information he may generate in the course of testing his opinions and beliefs.
Laziness may appear attractive, but work gives satisfaction.
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses limits and transcends limits and crosses borders and has a certain boldness.
You must work and do good, not be lazy and gamble, if you wish to earn happiness. Laziness may appear attractive, but work gives satisfaction.
You may suppress natural propensities by force, but they will be certain to re-appear.
Science may set limits to knowledge, but should not set limits to imagination.
The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
The fact that biological, or 'natural' rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
Art is not for the personal satisfaction of one or the other, but art wants to return all what's in life... Art wants to give back everything what's in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.
Paradoxical as it may at first appear, the fact is that, as W. H. George has said, scientific research is an art, not a science.
Certain environments, certain modes of life, and certain rules of conduct are more conducive to inner and outer harmony than others. There are, in fact, certain roads that one may follow. Simplification is one of them.
I fancy you give me credit for being a more systematic sort of cove than I really am in the matter of limits of significance. What would actually happen would be that I should make out Pt (normal) and say to myself that would be about 50:1; pretty good but as it may not be normal we'd best not be too certain, or 100:1; even allowing that it may not be normal it seems good enough and whether one would be content with that or would require further work would depend on the importance of the conclusion and the difficulty of obtaining suitable experience.
There is also the very real possibility that, in the justice of God, one of the reasons He uses the weak and the foolish of the world is so that no argument could be made later that certain people were advantaged in some unfair way by that which was unearned-either in the premortal life or here. Hence it seems prudent for us to realize that just because one is set apart or ordained to a certain calling or assignment he or she must not expect to be set apart from the stresses of life. There appear to be no immunities.
The unity of a nation's spirit and will are worth far more than the freedom of the spirit and will of an individual; and that the higher interests involved in the life of the whole must here set the limits and lay down the duties of the interests of the individual.
The representative element in a work of art may or may not be harmful, but it is always irrelevant. For to appreciate a work of art, we must bring with us nothing from life, no knowledge of its affairs and ideas, no familiarity with its emotions.
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