A Quote by Albert Einstein

Conventional words or other signs have to be sought for laboriously only in a second stage, where the associative play already referred to is sufficiently established and can be reproduced at will.
I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own . . .
Although there are many plans in a loving heart,but only God’s will is sufficiently established.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
Memory offers up its gifts only when jogged by something in the present. It isn't a storehouse of fixed images and words, but a dynamic associative network in the brain that is never quiet and is subject to revision each time we retrieve an old picture or old words.
No dream ever entirely disappears. Somewhere it troubles some unfortunate person and some day, when that person has been sufficiently troubled, it will be reproduced on the lot.
Humble words and increased preparations are signs that the enemy is about to advance. Violent language and driving forward as if to the attack are signs that he will retreat.
I am not yet so lost in lexicography, as to forget that words are the daughters of the earth, and that things are the sons of heaven. Language is only the instrument of science, and words are but the signs of ideas: I wish, however, that the instrument might be less apt to decay, and that signs might be permanent, like the things which they denote.
Take your brush here and there like a bee in an alpine meadow. In other words, don't laboriously work on or try to finish off one particular part. Paint promiscuously.
A stage play ought to be the point of intersection between the visible and invisible worlds, or, in other words, the display, the manifestation of the hidden.
The problem of moral change would appear to be one of presenting stimuli which are both sufficiently incongruous as to stimulate conflict in the child's existing stage schemata and sufficiently congruous as to be assimilable with some accomodative effort.
Painting is... a richer language than words... Painting operates through signs which are not abstract and incorporeal like words. The signs of painting are much closer to the objects themselves.
I think it will be fun to not only play new music, but to get to play different instruments on-stage.
In the normal play of our mind there are all sorts of perversions; hence the need to stop all these things and inculcate right thinking, right willing - in other words, Truth must be established.
A stage play is beautiful only when it is seen as a stage play, just like you cannot get the same effect of a live Bharatanatyam performance in a recording.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
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