A Quote by Albert Ellis
Much of what we call emotion is nothing more or less than a certain kind - a biased, prejudiced, or strongly evaluative kind - of thought.
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I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
I always thought that poetry is the verdict that others give to a certain kind of writing. So to call yourself a poet is a kind of dangerous description. It's for others; it's for others to use.
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
I encourage courtesy. To accept nothing less than courtesy, and to give nothing less than courtesy. If we accept being talked to any kind of a way, then we are telling ourselves we are not quite worth the best. And if we have the effrontery to talk to anybody with less than courtesy, we tell ourselves and the world we are not very intelligent.
While I was writing 'The Spare Room,' I thought, 'I'm going to look really bad in this book - there's no redeeming this kind of awful, ugly emotion', and I thought, 'I'm not going to change it. I'll call the character 'Helen' and admit to those feelings.' I think this is a reason why people write.
But after a certain point in a marriage, you stopped having a certain kind of fight, Olive thought, because when the years behind you were more than the years in front of you, things were different.
A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
I feel much more emotion than I did before, and more meaningful emotion and richer emotion than when I was manic. I'm able to experience meaningful things that can only be experienced when I'm stable, like a family.
To think out a problem is not unlike drawing a caricature. You have to exaggerate the salient point and leave out that which is not typical. "To illustrate a principle ," says Bagehot , "you must exaggerate much and you must omit much." As to the quantity of absolute truth in a thought : it seems to me the more comprehensive and unobjectionable a thought becomes, the more clumsy and unexciting it gets. I like half-truths of a certain kind they are interesting and they stimulate.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
You call yourself some kind of goddess and you know nothing, madam, nothing. What don't die can't live. What don't live can't change. What don't change can't learn. The smallest creature that dies in the grass knows more than you.
There`s a - kind of an undercurrent of the stories we read during the campaign of, [Michael Flynn] was a guy we thought we knew who seems to have changed in a profound way and become this much more kind of [ controversial] person .
There's a kind of luck that's not much more than being in the right place at the right time, a kind of inspiration that's not much more than doing the right thing in the right way, and both only really happen to you when you empty your heart of ambition, purpose, and plan; when you give yourself, completely, to the golden, fate-filled moment.
I have thought about some kind of musical involving my music. That would be kind of interesting. I have thought of it in that way, as a creator of something, not so much a performer. So that's in my head.
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
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