A Quote by Albert Hadley
Too much of what passes for design now is theater. It's one thing to be eccentric- and by the way, most eccentrics tend to be rather well-educated people - and quite another to be a faddist, by which I mean someone who tries to conjure a totally foreign aesthetic in a misplaced environment.
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This is the problem with foreign policy - talking about foreign policy in a political context. Politics is binary. People win and lose elections. Legislation passes or doesn't pass. And in foreign policy often what you're doing is nuance and you're trying to prevent something worse from happening. It doesn't translate well into a political environment.
I don't think I have a sense of fashion. But I do have an aesthetic, which I feel is an offshoot of me working in the design industry. For example, if I am mixing and matching prints on my sofas and cushion covers, I tend to do that with my wardrobe as well.
I have always been thinking of the different ways in which Christianity is taught, and whenever I find one way that makes it a wider blessing than any other, I cling to that as the truest--I mean that which takes in the most good of all kinds, and brings in the most people as sharers in it. It is surely better to pardon too much, than to condemn too much.
You can look at stats as much as you want - and we do - but you can have too much of it. You can spend too much time looking at computers rather than looking at the real thing which is out there on the pitch. I still think that being a good judge of players is the most important thing.
I usually work in a room which is totally cluttered with my mess, and there's stuff everywhere, and it's kind of chaotic because I am a very messy person. I could totally write in a pristine environment, but it would mean I would have to be at someone else's house.
I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
New York used to be so much more than just a place to shop. It was life on the street for the eccentrics; it was an eccentric city. It had many different tastes. Now it's just one - a really rich one - with big tall glass buildings.
Another thing much too commonly seen, is an aberration of the human mind which otherwise I should have been ashamed to warn you of. It is technically called carpet-gardening. Need I explain it further? I had rather not, for when I think of it, even when I am quite alone, I blush with shame at the thought.
Hollywood does tend to portray CIA officers as totally the honey trap. Looks matter as they do in any profession. But the most important thing for me when I was working was blending into my environment.
There is one class of mind that loves to lean on rules and definitions, and another that discards them as far as possible. A faddist will generally ask for a definition of faddism, and one who is not a faddist will be impatient of being asked to give one.
When you know too much information and you acquire it too easily, you tend to either use it in disagreeable ways, out of vanity, or you tend to be indiscriminate about it. I mean, in the old days, it was tricky, you had to go to various encyclopedias, you had to go to the library, maybe spend a day there, whatever. But in the end, if you found something, it was really exciting. Now you hit a couple of buttons and you get some information. Which, by the way, is almost always presented in that same goddamn mediocre style that characterizes the Internet for me. It is slightly deadening.
There's a fine line between eccentrics and geniuses. If you're a little ahead of your time, you're an eccentric, and if you're too late, you're a failure, but if you hit it right on the head, you're a genius.
As a child, I just found a lot of things quite difficult. I found school quite overwhelming. There were just too many people. I wish I could have gone to a school with about five people. And if I saw someone bullying someone else, for example - I don't mean because I'm a perfect person, because I'm really not - but I'd always be, 'Well, why?'
The most common misperception is the word 'design'. People think of primarily pretty pictures or forms. They don't understand the depth to which design goes-not only in products, but in every aspect of our life. Whether it is the design of a program, a product or some form of communication, we are living in a world that's totally designed. Somebody made a decision about everything. And it was a design decision.
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
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