A Quote by Albert Hammond, Jr.
I do believe in 'forever' in terms of relationships. There's something really amazing about being with someone for a long time and really knowing each other in that way. They end up becoming your closest friend.
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Your closest relationships are often the ones that have the most effect on you, but they are frequently the ones most difficult to change. These relationships are complex and have long histories. Lifetime habits of avoiding being really present with each other may exist in many of them. Family members, for instance, might want to support you, but will not necessarily know how to genuinely listen or be present with you in a way that is enlivening. . . . Even with the best intentions, it can be very difficult to get beyond the past and into the Now.
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.
The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time - and then you want out of that movie.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
That's one of the things that is hardest about being the Bachelor. You often have to end relationships that are actually going quite well, just because your time together is up. If other relationships are further along, you have to go with your gut and follow your heart.
Children get acquainted with each other in a special way, they do not make contracts as adults, they believe each other or not. Childish friendships often end in violence. You may become an enemy all of a sudden as well as notice that you are someone's best friend.
You can't know if someone's really your best friend. I think the measure of that is you could not see each other for six months and then when you see each other you laugh the same way you did when you were a little kid.
I am really, truly a hopeless romantic, myself, and I am also obsessed with past lives, knowing someone from a past life and knowing that right away, when you meet them. I really believe in inexplicable connections with people, and the way your subconscious enters your dreams. Those are themes in life that I'm really fascinated in.
The meaningful work and the meaningful relationships are, to me, comparable rewards. I think being on a mission to do something great is great, and to be on that mission with people who you have really meaningful relationships with not only provides both types of rewards, but it's mutually supportive. Because you can have tough love, but there's also the love part of that in terms of the caring for each other, and when you have the caring you can be tougher on each other. Some people describe it as an intellectual Navy Seals.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
There's not one way to direct a film, there are so many different ways to do it. Everything affects the way it turns out in the end. Even the smallest things. You don't want to really acknowledge that, because you want to believe that you are the only creative asset as a director. You want to believe you're the only one. But I really feel that everyone teams up and everybody really affects everything. Actually, it's the closest I will get to playing in a band.
Every once in a while someone says, 'You can't really learn anything, if you're really a writer then you wouldn't need to do it.' But I think what people need is the sense of not being alone. They go to MFA programs to be part of a community of people who care, and then you start caring about your friend who is trying to edit a magazine and your other friend who is stuck in the middle of her poem. There you have all kinds of things to worry about besides your own success.
Chiru and I always knew we'd end up being with each other. Our families have known each other for a long time.
The socialism I believe in isn't really politics. It is a way of living. It is humanity. I believe the only way to live and to be truly successful is by collective effort, with everyone working for each other, everyone helping each other, and everyone having a share of the rewards at the end of the day. That might be asking a lot, but it's the way I see football and the way I see life.
When we see the world through our thoughts, we stop experiencing life as it really is and others as they really are. When I have a thought about you, that’s something I’ve created. I’ve turned you into an idea. In a certain sense, if I have an idea about you that I believe, I’ve degraded you. I’ve made you into something very small. This is the way of human beings, this is what we do to each other.
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