A Quote by Albert Hammond, Jr.

You watch movies and see bands you like and copy them and see what you can hold. I mean, it's all down to how you hold what you wear. — © Albert Hammond, Jr.
You watch movies and see bands you like and copy them and see what you can hold. I mean, it's all down to how you hold what you wear.
We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.
I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.
Some people have a phobia of midgets. They're, like, scared of them. I have the opposite - I see them, and I want to hold them down, cuddle them, be like, 'Come here, you little nugget. Who's your mommy now?' So cute!
I know people can be a little nervous about swimsuits, but have some fun with it. Believe you can hold it down. If you believe you can hold it down, you can wear it.
There are bands that I got into when I was 15, when I was mad at my dad and just wanted to be different. I don't think I'd give those bands half a chance now. But I hold some kind of nostalgia for them that I won't let go. Bands like Minor Threat and Black Flag.
If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that.
I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.
Sometimes when things break, you can hold them together for a while with string or glue or tape. Sometimes, nothing will hold what’s broken, and the pieces fly all over, and though you think you might be able to find them all again, one or two will always be missing. I flew apart. I broke. I shattered like a crystal vase dropped on a concrete floor, and pieces of me scattered all over. Some of them I was glad to see go. Some I never wanted to see again.
Free driving is like an extreme sports version of snorkeling, ... That's about 50 feet deep. And basically what you do is you hold your breath and you wear a weight belt and go down as fast as possible and hold your breath for minutes at a time.
I want to see movies I can walk away from and say, 'Wait, what happened there? Hold up, what did I just see? What?' and then it connects to something that you personally, unequivocally know to be truth.
Words are real. Even if you can't see them, or hold them. Once you send them out in the world, they have power. Never speak words you don't mean.
Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.
You hold on to old experiences: injuries, injustices, and great love affairs, too. And you hold them in your joints and your organs, and wear them on your skin.
We can't hold hands? Someone might see. Won't you please Hold toes with me?
I only watch my movies that I make once, so I can just see how it hangs together, but after that, I don't watch them again. A lot of people have disappeared from Earth that you've worked with, and they make me sort of sad once in a while, and there's really no necessity for me to watch them. I've made them, and it's on film and that's that.
I've written quite a few things, but I've put it on hold for now to see how everything fits together. Then I'll approach it and write specifically to see how the pieces fit in the puzzle.
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