A Quote by Albert Kesselring

I have always had plenty of friends, and now at age sixty, I face four walls as a common prisoner. — © Albert Kesselring
I have always had plenty of friends, and now at age sixty, I face four walls as a common prisoner.
There are certain things in this world we all have in common such as time. Everybody has sixty seconds to a minute, sixty minutes to an hour, twenty-four hours to a day. The difference is what we do with that time and how we use it.
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
I don't want to make more friends. I have four kids, I have plenty of friends, and all the personal relationships I need.
That's for the best. Otherwise they might realize they're in prison. It can't be helped. You women are used to harems and prisons. A person can spend his whole life between four walls. If he doesn't think or feel that he's a prisoner, then he's not a prisoner. But then there are people for whom the whole planet is a prison, who see the infinite expanse of the universe, the millions of stars and galaxies that remain forever inaccessible to them. And that awareness makes them the greatest prisoners of time and space.
You had to be there at the time to understand the wild creative energy of the Fab Four, and this contains forays into Indian music as well as classics such as 'When I'm Sixty-Four.'
It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940."
You’re just the romantic age,” she continued- “fifty. Twenty-five is too worldly wise; thirty is apt to be pale from overwork; forty is the age of long stories that take a whole cigar to tell; sixty is- oh, sixty is too near seventy; but fifty is the mellow age. I love fifty.” - Hildegarde
An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.
She's like a prisoner inside stone walls, and every day the walls get a little thicker, the doorways a little narrower.
When we begin to build walls of prejudice, hatred, pride, and self-indulgence around ourselves, we are more surely imprisoned than any prisoner behind concrete walls and iron bars.
In 1860, sixty-three per cent of the couples married in Great Britain had families of four or more children; in 1925 only twenty per cent had more than four.
You are told from the moment you enter school that time is constant. It never changes. It is one of those set things in life that you can always rely on... much like death and taxes. There will always be sixty seconds in a minute. There will always be sixty minutes in an hour. And there will always be twenty-four hours in a day. Time was not fluctuating. It moved on at the same, constant pace at every moment in your life. And that was the biggest load of crap that I'd ever been taught in school.
Growing up, I was a socially awkward kid who didn't know where he fit in, and I didn't have many friends, but I always had wrestling. I always had what was in between those ropes, and that always put a smile on my face no matter what.
It's quiet for a while, and then Rowan says; "We could talk now. We're alone out here. No walls." "There are always walls." I say.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
Each age, each guilty age, builds high walls around its Versailles; and personally I hate those walls most when they are made by literature and art.
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