A Quote by Albert Maltz
Every murder turns on a bright hot light, and a lot of people... have to walk out of the shadows.
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Every murder turns on a bright hot light, and a lot of people have to walk out of the shadows.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I wonder, now, about interrogation chambers: why do they think bright light brings the truth out of people? They should try the seduction of shadows, where you cannot watch your words hit their target.
The time has arrived in America for the Democratic Party to get out of the shadows of states rights and walk forthrightly into the bright sunshine of human rights
His name's Nash." Aunt Val took a butter knife from the silverware drawer. "What year is he?" I groaned inwardly. "Senior." ...here we go ... Her smile was a little too enthusiastic. "Well that's wonderful!" Of course, what she really meant was "Rise from the shadows, social leper, and walk in the bright light of acceptance!
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
Like the way the sun is right now, with the long shadows, and that kind of bright, soft light you get when the sun isn't quite setting? That's the light that makes everything better, everything prettier, and today, everything just seemed to be in that light.
As you walk through life, always walk toward the light, and the shadows of life will fall behind you.
You don't always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect – it's the ones which amount to a sort of smug glee you must watch out for.
I really hope it engenders a lot of conversation because I believe there are a lot of people who put on faces. We all do it, every time we walk out the door. And there are a lot of people who have to hide who they are. And I think this story speaks to that.
For human words are like shadows, and shadows are incapable of explaining light and between shadow and light there is the opaque body from which words are born.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
When shadows fall and the path you walk grows dark, may the smile of God light your way.
Every time you do a good deed you shine the light a little farther into the dark. And the thing is, when you're gone that light is going to keep shining on, pushing the shadows back.
Toward seven o'clock every morning, I leave my study and step Out on the bright terrace; the sun already burns resplendent Between the shadows of the fig tree, makes the low wall of coarse Granite warm to the touch. Here my tools lie ready and waiting, Each one an intimate, an ally: the round basket for weeds: The zappetta, the small hoe with a short haft . . . There's a rake here as well, at at times a mattock and spade, Or two watering cans filled with water warmed by the sun. With my basket and small hoe in hand, facing the sun, I Go out for my morning walk.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
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