A Quote by Albert Pinkham Ryder
It is the first vision that counts. The artist has only to remain true to his dream and it will possess his work in such a manner that it will resemble the work of no other... for no two visions are alike, and those who reach the heights have all toiled up steep mountains by a different route. To each has been revealed a different panorama.
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The artist has only to remain true to his dream and it will possess his work in such a manner that it will resemble the work of no other man.
Let us not torment each other because we are not all alike, but believe that God knew best what He was doing in making us so different. So will the best harmony come out of seeming discords, the best affection out of differences, the best life out of struggle, and the best work will be done when each does his own work, and lets every one else do and be what God made him for.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
...the reading, the observing, the living from day to day. It was something that had been born into her and her only - the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life - the one different thing such as that which makes no two fingerprints on the face of the earth alike.
A true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art.
There is a glorious pattern for every man's life, an individual, perfect patter. No two people are alike ... No two leaves are alike-no two snowstorms-no two sets of fingerprints. No two lives are alike, yet each life holds a divine pattern of unfoldment, a great and holy destiny, rich in achievement and honor. As you live true to the pattern of yourself, that deep, inner self, you will unfold as perfect, as joyous, as naturally beautiful as the tree will reach its full measure of fulfillment.
A work of art is a work of order, and if the artist is to put the stamp of his own mind on his work, he must arrange, modify, and dispose of his materials so that they may appear in a more agreeable and beautiful manner than they would have assumed without his interference.
The artist alone among men knows what true humility means. His reach forever exceeds his grasp. He can never be satisfied with his work. He knows when he has done well, but he knows he has never attained his dream. He knows he never can.
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
Let us suppose that an ichthyologist is exploring the life of the ocean. He casts a net into the water and brings up a fishy assortment. Surveying his catch, he proceeds in the usual manner of a scientist to systematise what it reveals. He arrives at two generalisations: No sea-creature is less than two inches long. (2) All sea-creatures have gills. These are both true of his catch, and he assumes tentatively that they will remain true however often he repeats it.
The reason why a work of genius is not easily admired from the first is that the man who has created it is extraordinary, that few other men resemble him. It is his work itself that, by fertilising the rare minds capable of understanding it, will make them increase and multiply.
A good book changes for you every few years because you are in a different place in your own life. That's a sign of a good novel. Not only will two different readers get something different but so will a single reader at different points in his life.
It never seems to occur to anyone that each reader is different, and that even those who might be said to resemble each other will each bring an individual set of experiences and references to their reading, and interpret and misinterpret it according to these.
True art and true science possess two unmistakable marks: the first, an inward mark, which is this, that the servitor of art and science will fulfil his vocation, not for profit but with self- sacrifice; and the second, an external sign, his productions will be intelligible to all the people whose welfare he has in view.
One could think of a person who seems to have two opposing and contradictory sides to his personality; but it turns out that in the end the two sides are complementary. The same happens with an artist's work: deep down, what appear as contradictory sides are merely different registers, different aspects of the reality that the artist inhabits
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