A Quote by Albert S. Ruddy

I'd rather deal with a Mob guy shaking hands on a deal than a Hollywood lawyer, who, the minute you get the contract signed, is trying to figure out how to screw you.
One of the reasons I got into acting to begin with is that I was trying to figure out how life worked. It was interesting to me to try and follow how other people, real or imaginary, would deal with problems, because I was trying to deal with my own problems.
Larry the Cable Guy has signed a deal with Cracker Barrel. Not the store. He signed a deal with a barrel full of angry rednecks.
I know there's a great deal of speculation, and while I appreciate the interest, kind of, my contract ends in May and I'm trying to figure out what I'm going to do. I'm fortunate to have a couple of opportunities to think long and hard about.
I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.
I'm not just going to get a deal; I'm going to get the deal. And in my deal I got by signing with No I.D. to Def Jam, I got full creative control, the money was great, the contract was good, and I got to create the album that I wanted.
It's always been most important for me to figure out "my space" rather than trying to check out what everyone else is up to, minute by minute. Technology is making it easier to connect to other people, but maybe harder to keep connected to yourself-- and that's essential for any artist, I think.
McCain likes strong defense, and he's viscerally suspicious of big companies. So he's more a Square Deal guy than a New Deal guy.
Let's make a deal: You figure out what the labyrinth is and how to get out of it, and i'll get you laid. -Alaska Young
I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
The best managers figure out how to get great outcomes by setting the appropriate context, rather than by trying to control their people.
There's Hezbollah, there's Hamas, there is a whole range of terrorist targets out there related to Palestine and to Israel that we ought to be trying to deal with. And there's a great deal of targets in the Philippines, Indonesia. You name it, there are a number of places where there are targets that we ought to be trying to deal with.
Fighting really does reveal everything to the other guy. It's not just about who can beat up to or who's tougher, it's who bullies who and who goes easy on who. You change from opponent, so it's about how you deal with a challenge and how you deal with a guy who you can handle easily.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
The big producer is going to figure out how to deal with whatever the rules are, but the little guy who is running a few hundred units or maybe feeding 1,500 cattle a year, how will they ever comply with these requirements?
I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem.
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