A Quote by Albert Serra
I am quite a positive man in real life. In fact, even when I have a hard discussion with somebody, it lasts only five minutes. Then I forget. And I forgive everything. But at the same time, as I am such an easygoing guy, to create something more intense, I have to be auto-destructive on the making of a film. And this will guarantee some density.
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Regardless of the staggering dimensions of the world about us, the density of our ignorance, the risks of catastrophes to come, and our individual weakness within the immense collectivity, the fact remains that we are absolutely free today if we choose to will our existence in its finiteness, a finiteness which is open on the infinite. And in fact, any man who has known real loves, real revolts, real desires, and real will knows quite well that he has no need of any outside guarantee to be sure of his goals; their certitude comes from his own drive.
I am somebody who creates images, with my perspectives, fascinations and my instincts as a narrator. You have to activate the audience's imagination. If you are just giving them scientific results, they would forget the film in five minutes flat.
For me, food and music are very similar in that you create, you spend a lot of time making something, and it only lasts a few seconds or a few minutes.
I work hard every day to earn more minutes, but I am aware of where I am. I am at the best club in the world, and I am happy at Real Madrid.
I wrote 'Always Love' in 10 minutes. It's a very positive song, more positive than I am in reality, but I was feeling good for three and a half minutes. And every time we play a show I think, 'Well I should probably be that positive,' but I'm not.
Any sport that lasts six minutes, that's it, you can just imagine how intense it is, only six minutes long.If you try something, if you try a move, if you take a single leg takedown and it doesn't work, you don't give up. You don't give up; you will succeed. I think it's very parallel with the stuff that you have to do in the real world.
With me, even if my life depended on it, I wouldn't be able to cry. Not with somebody there. Because even if I'm talking about bad and upsetting things, if there is somebody else in the room, I am trying to entertain them. If there is somebody there, I am in performance mode. I can only cry if I am on my own.
Sad music, I always thought, is more beautiful than other music. But at the same time, I am in my personal life a very happy guy. I have a sense of humor. I am not the kind of depressed guy all the time brooding. No. I am very enthusiastic about things.
When I am No. 2, and I am working as hard as I can, then quite often the keeper ahead starts to raise his game even more.
I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things, so it is frustrating, to a degree, to be limited by other people's perceptions of me, but at the same time, it is true that I am a black guy, and, you know, it's like I'm rooted in but not bound by.
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
I'm not totally blind to the fact that I like people to see my work, but if it's not something I would enjoy seeing in a magazine, then I think I shouldn't be making it. I think that I don't represent only myself, I represent more people; I mean, if I like it, then I think more people will like it because I think I'm quite a normal guy.
The fact is that five years ago I was, as near as possible, a different person to what I am tonight. I, as I am now, didn't exist at all. Will the same thing happen in the next five years? I hope so.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
I belong to an ancient, idle, wild and useless tribe, perhaps I am even one of the last members of it, who for many thousands of years, in all countries and parts of the world, has, now and again, stayed for a time among the hard-working honest people in real life, and sometimes has thus been fortunate enough to create another sort of reality for them, which in some way or another, has satisfied them. I am a storyteller.
The other thing is that it's really hard to separate out the harassment from everything we do. When we started creating Tropes, we were hyper-aware of the intense scrutiny, the intense harassment, and the intense pressure to do something meaningful given the attention both positive and negative. That's carried over in terms of making sure that I produce the best work that I can, that's the most accurate, the most sensitive and engaged.
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