A Quote by Albert Watson
Really good portraiture is a two-way street where someone is throwing little gems out and you're grabbing them. Very few people have a 100 percent fluency in being able to do to do this - this kind of magical reaction with a camera.
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I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them. It's the male chauvinistic society that we're living in for the longest time, 3,000 years or whatever. And so I just wanted to point out the fact that men and women are magical beings. We are very blessed that way, so I'm just bringing that out. Don't be scared of witches, because we are good witches, and you should appreciate our magical power.
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
There's a subtleness to camera work. You can really create intimate moments on camera and sometimes that requires a little more precision from an actor, because you have to pull people in as opposed to throwing it to them.
There's a subtleness to camera work. You can really create intimate moments on camera, and sometimes that requires a little more precision from an actor because you have to pull people in as opposed to throwing it to them.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I think there are a lot of people who are afraid to be who they are, and if I have to sacrifice a little bit of fame and a little bit of success because I'm being 100 percent truthful with who I am, hopefully that will create a paved way for someone else.
I also had this mistaken dream, fantasy really - perhaps because I'm good at languages - of being able in both Italy and France to become someone else through my fluency in the language.
I want 100 percent of customers to like MyPillow and 100 percent of people to be taken care of. If you help someone, they tell two people, they tell 20 people, they tell 200 people, and the money takes care of itself.
Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.
My mother always told me if I really didn't wan to do something, if I was really tired, but if I had helped someone and I really went out of my way for them but I asked nothing for it, that I should donate my energy to the souls in purgatory-meaning that to give my goodness to those who are trapped. This is purgatory/limbo. This is a very Catholic thing that very few people really understand.
"Keep it 100" means keeping it 100 percent real. It comes from the expression ... "keeping it real," which means you are being completely honest and 100 percent real means you are really being honest, which is kind of a contradiction of sorts. You're either being honest or you're not.
I can walk down the street, and 85 percent of the people on the block are really quite oblivious to me. They either think I'm probably an actor or else I installed their storm windows two years ago, or I work at their bank, or maybe I'm their cousin Marie's gynecologist. Then, to the other 15 percent of those people on the street, I'm a rock star.
Defensive players kind of have that two-faced kind of way of being able to be very aggressive on the football field and going out there and getting there job done. At the same time, from my own incidents and my own personality, I'm much a person that's very likable and lovable.
Well over half of the time you spend working on a project (on the order of 70 percent) is spent thinking, and no tool, no matter how advanced, can think for you. Consequently, even if a tool did everything except the thinking for you - if it wrote 100 percent of the code, wrote 100 percent of the documentation, did 100 percent of the testing, burned the CD-ROMs, put them in boxes, and mailed them to your customers - the best you could hope for would be a 30 percent improvement in productivity. In order to do better than that, you have to change the way you think.
I don't paint, and I can't draw, but I see things, I think, quite well, and I love being able to freeze things with the camera, particularly the children. Then I discovered with the camera that you can tell a whole story with just freezing a moment in reality. I find it a very good way, a very satisfying feeling.
Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'
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