A Quote by Alberto Giacometti
If we master a bit of drawing, everything else is possible.
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I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.
A man who is a master of patience is master of everything else.
Truly color is vice! Of course, it can be, and has the right to be one of the finest virtues. Controlled by the strong hand and careful guidance of her Master drawing, color is a splendid Mistress, with a mate worthy of herself, her lover, but her Master likewise, the most magnificent Mistress possible, and the result is evident in all the glorious things that spring from their union.
The uniqueness about me is I don't do one thing perfectly or great. I do a little bit of everything. That's what makes me so unique. I'm just trying to master a little bit of everything.
I'm super inspired by Master P and early moguls. They were doing everything. I wanna do that, too. Twenty-six albums in one year. It's possible. Very possible.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
Rothschild is the lord and master of the money markerts of the world and virtually lord and master of everything else.
Until I saw my drawings replayed on the iPad, I'd never seen myself draw. Someone watching me would be concentrating on the exact moment, but I'd always be thinking a little bit ahead. That's especially so in a drawing where you are limiting yourself, a line drawing for example. When you are doing them you are very tense, because you have to reduce everything to such simple terms.
I love drawing, whether it's considered work or not, but I'm always drawing, and that's the core of the work. Everything comes from drawing.
I base everything on my instinctual approach. There's something very satisfying in that creativity, and it's a bit like an infant drawing.
Doing something for someone else, or working for somebody else, helps you push yourself beyond what you think is possible, or beyond what is possible just doing something for yourself. My faith, my family, whatever, if you're doing it for someone else, you're always going to push a little bit harder.
We cannot master everything, taste everything, understand everything, drain every experience to its last dregs. But if we have the courage to let almost everything else go, we will probably be able to retain the thing necessary for us-whatever it may be. If we are too eager to have everything, we will almost certainly miss even the one thing we need
When you are older, you realise that everything else is just nothing compared to painting and drawing.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Rothschild is the Lord and Master of the money markets of the world, and of course virtually Lord and Master of everything else. He literally held the revenues of Southern Italy in pawn, and Monarchs and Ministers of all countries courted his advice and were guided by his suggestions.
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