A Quote by Alberto Giacometti

When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss. — © Alberto Giacometti
When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
Because I'm a Karamazov. Because when I fall into the abyss, I go straight into it, head down and heels up, and I'm even pleased that I'm falling in just such a humiliating position, and for me I find it beautiful.
O your life, your lonely lifeWhat have you ever done with it,And done with the great gift of consciousness?What will you ever do before Death's knifeProvides the answer ultimate and appropriate?As I for my part felt in my heart as one who falls,Falls in a parachute, falls endlessly, and feels the vastDraft of the abyss sucking him down and down,An endlessly helplessly falling and appalled clown:This is the way the night passes by, thisIs the overnight endless trip to the famous unfathomable abyss.
I was watching souls going down into the abyss as thick and fast as snowflakes falling in the winter mist.
When I realize that she is gone, perhaps gone forever, a great void opens up and I feel that I am falling, falling, falling into deep, black space. And this is worse than tears, deeper than regret or pain or sorrow, it is the abyss into which Satan was plunged. There is no climbing back, no ray of light, no sound of human voice or human touch of hand.
...he makes me feel out of control and out of my head. He is exhilarating and terrifying. I see and feel him everywhere, and I'm always grasping for equilibrium even when he's not there... I feel like I'm always falling in love, falling and falling and falling.
Voluptuaries, consumed by their senses, always begin by flinging themselves with a great display of frenzy into an abyss. But they survive, they come to the surface again. And they develop a routine of the abyss: It's four o clock. At five I have my abyss.
The leaves are falling, falling as from way off, as though far gardens withered in the skies; they are falling with denying gestures. And in the nights the heavy earth is falling from all the stars down into loneliness. We all are falling. This hand falls. And look at others: it is in them all. And yet there is one who holds this falling endlessly gently in his hands.
Falling down ain't falling down, If you don't cry when you hit the floor, It's called the past cause I'm getting past, And I ain't nothing like I was before, You ought to see me now
I have never said that human society ought to be aristocratic, but a great deal more than that. What I have said, and still believe with ever-increasing conviction, is that human society is always, whether it will or no, aristocratic by its very essence, to the extreme that it is a society in the measure that it is aristocratic, and ceases to be such when it ceases to be aristocratic. Of course I am speaking now of society and not of the State.
The night is alive with stars, and when I lie down and look up, I get lost up there. I feel like I’m falling, but upward, into the abyss of sky above me.
I've gotten very used to falling off of things. It's almost like that's my skill! I'm great at falling down and getting back up.
Falling, falling, falling, falling down. Look yourself in the eye before you drown.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
The distance thing is partially due to the fact that I'm pretty shy and I've struggled with extreme stage fright in the past. So I just have to go onstage in a different head space so I'm not as self-aware.
When digging ceases to be a great game and becomes, as in Egypt, merely business, it will be a bad thing.
The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
This site uses cookies to ensure you get the best experience. More info...
Got it!