A Quote by Alberto Giacometti
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
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Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me.
We realize--often quite suddenly--that our sense of self, which has been formed and constructed out of our ideas, beliefs and images, is not really who we are. It doesn't define us, it has no center.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. Those who dismiss names as a detail have never been displaced; but the peoples on the peripheries are always being displaced. That is why they insist upon their continuity - their links with their dead and the unborn.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.
I believe, or sense, that the universe has not been constructed from a purely mechanical, logical, rational point of view, but there is a magic afoot in the universe, that God can be looked at as a kind of a magician in which we get to perform tricks ourselves, without knowing that we're doing so.
The Arabs are victims. You have Shia Arabs, under Arabization under Saddam Hussein, who were forcibly moved up there... You have Kurds who were displaced by these Arabs that were moved up there by Saddam Hussein. Kurds have been displaced from Kirkuk for hundreds of years.
A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.
I think everybody's talking about like facts and truth and you know like that 'We're here to fact check' and all of that, that's the base material of journalism. You cannot have journalism without facts and truth. But if facts and truth were what actually you know sort of moved people's lives and moved their decision-making like the election would have had a different outcome.
Indeed, we might all forget where we have been if we didn't have somebody to assemble and arrange the little blocks called facts from which history is constructed, artfully or less so.
Appearances are not reality; but they often can be a convincing alternative to it. You can control appearances most of the time, but facts are what they are. When the facts are too sharp, you can craft a cheerful version of the situation and cover the facts the way that you can covered a battered old four-slice toaster with a knitted cozy featuring images of kittens.
The images were gone, but Calvin was there, was with her, was part of her. She had moved beyond knowing him in sensory images to that place which is beyond images. Now she was kything Calvin, not red hair, or freckles, or eager blue eyes, or the glowing smile; nor was she hearing the deep voice with the occasional treble cracking; not any of this, but - Calvin. She was with Calvin, kything with every atom of her being, returning to him all the fortitude and endurance and hope which he had given her.
The baby looks at things all day without winking; that is because his eyes are not focused on any particular object. He goes without knowing where he is going, and stops without knowing what he is doing. He merges himself within the surroundings and moves along with it. These are the principles of mental hygiene.
The mainspring of creativity appears to be the same tendency which we discover so deeply as the curative force in psychotherapy, man's tendency to actualize himself, to become his potentialities. By this I mean the organic and human life, the urge to expand, extend, develop, mature - the tendency to express and activate all the capacities of the organism, or the self.
Gail Godwin has written a book about the heaviest matters of loss, grief, and loneliness with a touch so light that I was as often deeply amused by it as I was deeply moved.
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