A Quote by Alberto Giacometti
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. . . . So long as I've learned something about why.
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Find something that you want to do when you're 60. Find your passion. Your passion, your work, whatever it is that you want to do. Find something that you would do, even if you didn't get paid. Whether it's an art or whether is something that you're passionate about.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever
The trouble with us today, there are too many of us who put question marks instead of periods after what the Lord says. I want you to think about that. We shouldn't be concerned about why He said something, or whether or not it can be made so. Just trust the Lord. We don't try to find the answers or explanations. We shouldn't try to spend time explaining what the Lord didn't see fit to explain. We spend useless time.
You're always going to have somebody that's saying something about you in a negative form or fashion. I think for each and every individual you try to use that to push you, to motivate you whether it really meant something to you, whether it didn't.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
Whether outwardly or inwardly, whether in space or time, the farther we penetrate the unknown, the vaster and more marvelous it becomes.
There's so many people dependent on our work for their living or their livelihood. You do something whether it works or whether it doesn't. Once you're committed and you do it, it becomes a part of your life. I wouldn't be sorry about it. I'd learn from it.
A reflection of my feelings about the space program is found in a quotation from Charles A. Lindbergh's "Autobiography of Values." It reads, "Whether outwardly or inwardly, whether in space or time, the farther we penetrate the unknown, the vaster and more marvelous it becomes."
Why antagonize somebody for no reason? Why try to garner attention by doing something negative? Why not do something positive on your own merits, instead of somebody else, whether it's to try to antagonize them or draw their ire, or even to have them help you out.
I find myself, after all these years, with a built-in safety-brake that stops me from doing certain things. And one of the reasons why I want to try so called hard pornography - I don't even know whether it's hard enough - is to see whether I will be able to overcome this. Because if there is one thing I hate, it's good taste, to me it's a dirty word.
I've been around a long time and I've found that these forms, whether it's the cartoon, or whether it's a play, or all these dying forms refuse to die. Something happens to rejuvenate them and it will certainly happen to the political cartoon. It will come back. But whether it's on the internet, or whether it's in some other form, however that works, whether it looks the way it looks now, or entirely different, I have no idea. And thank God I don't have to worry about it.
I think there's something therapeutic in singing about anything, whether it's what you've written or whether it's someone else's song. I find both satisfying in different ways.
Pilot season's such a strange time. You get such a concentrated amount of scripts. A lot of them become white noise after a while. When something really pops, it becomes apparent very quickly. I'm quite instinctive about that. I know, normally by about 10 pages in, whether I want to do something or not.
I find a way to convince people to come along with me. They want to be persuaded. When I sit in a room with you I'm going to sell you something whether you want it or not. At the end you'll say: 'I'm glad I bought that.'
I like filmmakers that try to touch upon the metaphysical, the things that are behind all this, that you can't actually physically interact with, but are somehow intuitively there. Maybe you can see the ashes of that fire or the echoes of something happening on a domain not-here, whether that be coincidence, whether that be familiarity with somebody who's a stranger.
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