A Quote by Alberto Korda

The beauty of women was the first expression of my photography. — © Alberto Korda
The beauty of women was the first expression of my photography.
I firmly believe in and support everyone's right to freedom of artistic expression. STEEL MAGNOLIAS is my artistic expression, and it is my right to say that its female characters be portrayed by women. The concept of a play set in a beauty parlor where men portray women is a terrific idea. If that is someone's artistic expression, I encourage them to write their own play as soon as possible.
I became interested in photography during my first visit to the United States. I was a student at a university in Holland. I was overwhelmed by the beauty of the American West. That was when I learned about the tradition of nature in American photography.
Photography was the first foreign language of my artistic expression.
The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
Between beauty of expression and power of expression there is a difference of function. The first aims at pleasing the senses, the second has a spiritual vitality which for me is more moving and goes deeper than the senses.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
As unity demanded for its expression what at first might have seemed its opposite--variety; so repose demands for its expression the implied capability of its opposite--energy. It is the most unfailing test of beauty; nothing can be ignoble that possesses it, nothing right that has it not.
I started photography more or less by accident when I was already 27. I was taken on as an assistant by a photographer who was a friend of a friend and I very quickly understood the potential of expression in photography.
I believe that there are three conditions to a woman’s beauty. First, you must realize that not all women are beautiful all of the time. Sometimes beauty comes on a subconscious level. When she is in love, or has met someone new and exciting, she shines. Second, you must understand that life is unfair. Beauty is something that, for some, must be worked at. The third condition is luck. Some women can just be lucky.
No reason can be asked or given why the soul seeks beauty. Beauty, in its largest and profoundest sense, is one expression for the universe. God is the all-fair. Truth, and goodness, and beauty, are but different faces of the same All.?
Beauty is the first present nature gives to women and the first it takes away.
I'm a great looker at pictures and paintings, and so forth. That's what I look for - a kind of formal beauty. I want that in my photography. It isn't always what we conventionally think of as beauty.
Actually, I didn't study photography at first. I went to school for painting my first year, poetry my second year, graphic design my third and fourth year, and photography my fifth.
Madam C.J. Walker was the first person to devise and scale a business model that addressed the hair care and beauty needs of women of color while also challenging the myopic ideals of the beauty industry at that time.
First of all, I love women. But I lust after beautiful women in the way that I lust after a beautiful piece of sculpture - this will probably get me in trouble - or a beautiful car. I believe everyone's on a sliding scale of sexuality. There are moments where I am sexually attracted to women. But it doesn't overpower my first impulse; my lust for them is the same as my lust for beauty in all things.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
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