A Quote by Alberto Manguel

Reality deals in specifics under the guise of generalities. Literature does the contrary. — © Alberto Manguel
Reality deals in specifics under the guise of generalities. Literature does the contrary.
'The Haters' has some of the generalities of band experiences that I've had - the camaraderie, the grubbiness, the outsized collective ambitions and frequent painful collisions with reality - but very few of the specifics. I guess it was a way for me to take some of my experiences to their logical crazy extremes.
Campaigns are fun. Campaigns are police escorts, they're airplanes, they're crowds, they're balloons, they're bands, a lot of fun. You speak in vague generalities. You get applause for slogans. And then governing comes. And governing is tedious and it's difficult an it's time-consuming and it demands your attention. And policy isn't vague generalities. It's specifics and it's based on knowledge.
[Donald] Trump has quietly rolled out an immigration plan with specifics and everyone wants specifics. He's got immigration with specifics, a black and Hispanic outreach plan with specifics.
The great majority of people are “wandering generalities” rather than “meaningful specifics”. The fact is that you can't bit a target that you can't see. If you don't know where you are going, you will probably end up somewhere else. You have to have goals.
Intellectual generalities are always interesting, but generalities in morals mean absolutely nothing.
Literature adds to reality, it does not simply describe it.
Literature is the province of imagination, and stories, in whatever guise, are meditations on life.
That's really what SF is all about, you know: the big reality that pervades the real world we live in: the reality of change. Science fiction is the very literature of change. In fact, it is the only such literature we have.
When we deal in generalities, we shall never succeed. When we deal in specifics, we shall rarely have a failure. When performance is measured, performance improves. When performance is measured and reported, the rate of performance accelerates.
Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.
It is impious to say that evil has its origin from God, because naught contrary is produced by the contrary. Life does not generate death, nor is darkness the beginning of light, nor is disease the maker of health, but in the changes of conditions there are transitions from one condition to the contrary.
We think in generalities, but we live in detail. To make the past live, we must perceive it in detail in addition to thinking of it in generalities.
If it wasn't a chaotic scene, if it was an orderly evacuation, we would be able to give you specifics about what our preferences would be, such as evacuating first the disabled, then the elderly and infants. That would of course be our preference. But the reality on the scene does not permit that. We're going to do the best we can with the resources we have.
From the internal reality, by which I means the totality of psychological experiences, it [science] actually separates us. Art, for example, deals with many more aspects of this internal reality than does science, which confines itself deliberately and by convention to the study of one very limited class of experiences the experiences of sense.
Rex Tillerson does massive deals in Russia. He does massive deals for the company, not for himself, for the company.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
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