A Quote by Alberto Manguel
Most readers, then and now, have at some time experienced the humiliation of being told that their occupation is reprehensible.
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It's important to remember that World War II was experienced very much as a continuity in that sense. Most of World War II in most of Europe wasn't a war; it was an occupation. The war was at the beginning and the end, except in Germany and the Soviet Union, and even there really only at the end. So the rest of time it's an occupation, which in some ways was experienced as an extension of the interwar period. World War II was simply an extreme form, in a whole new key, of the disruption of normal life that began in 1914.
Personal humiliation was painful. Humiliation of one's family was much worse. Humiliation of one's social status was agony to bear. But humiliation of one's nation was the most excruciating of human miseries.
To some extent, mythology is only the most ancient history and biography. So far from being false or fabulous in the common sense,it contains only enduring and essential truth, the I and you, the here and there, the now and then, being omitted. Either time or rare wisdom writes it.
A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.
A friend told me the longer you keep Romano cheese, the better it gets. So, I kept it three years. And this thing turned mean. Now and then I'd open the refrigerator door and throw it some food. I'd have to walk it now and then. And then it grew this one leg. And it's got this ugly fuzz all over it. And the dogs won't run with it.
I'm normal. I just had a different occupation for a while, and when you're in a different occupation, you have to carry yourself a different way. Most of my art is me bringing you stories from that era of my life. My life now is kind of boring.
I've experienced some really very obvious, direct homophobia - when I was still trying to be an artist, behind the scenes, being told to be less gay, be less feminine.
I don't understand how most pop stars live this life being told what to do, what to wear, all the time. Maybe money does mean more to some people.
What is the natural reaction when told you have a hopeless mental illness? That diagnosis does you in; that, and the humiliation of being there. I mean, the indignity you're subjected to. My God.
There is no fun in doing nothing when you have nothing to do. Wasting time is merely an occupation then, and a most exhausting one.
I think most people have experienced that at some point: being on one end or the other of a super-unbalanced relationship.
A cop told me, a long time ago, that there’s no substitute for knowing what you’re doing. Most of us scribblers do not. The ones that’re any good are aware of this. The rest write silly stuff. The trouble is this: The readers know it.
If Fobbit leaves a reader feeling stranded in some bland in-between territory, then I haven't done my job. But having said all that, I didn't consciously write the book with a particular moral intent. I took what I experienced and processed it through the sausage factory of fiction. It's up to readers to interpret what's on the page - as is the case with any novel.
The basis of shame is not some personal mistake of ours, but the ignominy, the humiliation we feel that we must be what we are without any choice in the matter, and that this humiliation is seen by everyone.
Serious collectors and art experts, among the world's most educated, often cannot fathom the possibility of being rooked, and then once taken, cannot face the humiliation of admitting it.
An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.
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