A Quote by Alden Ehrenreich

What drew me to 'Beautiful Creatures' was the character that I get to play, Ethan. Within three pages, I knew he is so specific and interesting. — © Alden Ehrenreich
What drew me to 'Beautiful Creatures' was the character that I get to play, Ethan. Within three pages, I knew he is so specific and interesting.
I wouldn't want to play a character that knew everything and knew where to go. It is much more interesting playing a character that is vulnerable trying to be strong. It makes for better TV.
When everything seems like its changed…its because things have." Ethan Wate in Beautiful Creatures.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
I don't like to intellectualize about my acting. I don't sit around and study the pages of a script over and over again. I don't worry whether the period is contemporary or three hundred years ago. Human beings are all alike. The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.
For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.
I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
Ethan thought he was doing the right thing. He knew it was crazy. And he didn’t want to go, but he had to anyway. Ethan was like that. Even if he was dead. He saved the world, but he shattered mine. What now?
Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.
I've always said this: I've never seen a Michelin three-starred restaurant that was a buffet. They usually serve à la carte. I do think the delivery of a specific service, a specific advice for a specific reason, is the way you get the equivalent of a Michelin three-starred relationship.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.
Ethan Wate: What I can't figure is, you go to church everyday, how do you believe in all of this and still believe in God? Amma: God created all things didn't he? Only man will decide which ones is mistakes. - Beautiful Creatures
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
When I write about Mickey Haller as the Lincoln lawyer, I totally see Matthew McConaughey because he took that character when that character was still fairly new to me - only two or three years old - when I knew McConaughey was going to play him. He's also the same age, the right age, in comparison to the book.
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