A Quote by Alden Ehrenreich
One of the beautiful things about being a part of 'Star Wars' is that it's one of those few things that are community-building in that way. Maybe that way of putting it is a little self-important. But it is something we all have a connection to, something everybody knows about. There aren't that many of those things.
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The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
If you are going to do kaizen continuouslyyou've got to assume that things are a mess. Too many people just assume that things are all right the way they are. Aren't you guys convinced that the way you're doing things is the right way? That's no way to get anything done. Kaizen is about changing the way things are. If you assume that things are all right the way they are, you can't do kaizen. So change something!
It's basically the same in all periods of societies. If you belong to the majority, you can avoid thinking about lots of troubling things.' 'And those troubling things are all you /can/ think about when you're one of the few.' 'That's about the size of it,' she said mournfully. 'But maybe, if you're in a situation like that, you learn to think for yourself.' 'Yes, but maybe what you end up thinking for yourself /about/ is all those troubling things.
With movement, families get split. With the politicization of religion, spirituality gets diluted. With people intermarrying and falling in love outside of pre-existing defined groups, the tribe is disappearing. I'm not in favor of going back to those things, but you can't take those things away without putting something new in its place. So finding a way to make transience more acceptable, even beautiful is key.
Self-esteem doesn't have to just be about the way you look; it can be about your talents and passions. All of those things can build someone's confidence and show them that they have self worth and they are important.
It's a little bit about how I felt about Hail, Caesar! and now Star Wars. I could not have predicted those things happening to me. But I'm just happy they come along.
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Part of what you try and do when you're writing is to just transcend politics and the moment in a way and talk about something, those fundamental building blocks of building nature.
Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.
You've just got to get over that mental hurdle and those battles in your own head during matches when things aren't going so well. It takes time. It's probably all things I already knew, but for someone to talk about it maybe in a different way makes you realise things.
There are things in your life which you are in control of, and those you're not. You need to not care about those things which you're not in control of, and when you come to really understand that, you can go from being really upset about something to that lovely feeling of being a kid where everything is okay.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
Naturally looking at something will become so important in your aesthetic. For that, you have to be disciplined, too, in the way that there is a moment to catch and there is a moment to express. The moment to express has to be so pragmatic, because you have to build the clothes; you have to be very, very specific about how you want to describe to other people, for the color of the fabric, the way of sewing things, putting things together.
There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.
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