A Quote by Alden Ehrenreich
I've had a couple opportunities where I've been on the other side of the audition process as a director.
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I've had a couple opportunities where I've been on the other side of the audition process as a director, so it's really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time.
But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.
I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.
Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.
I've always found that I have to audition, but that's a process that I kind of enjoy. I enjoy the challenge, and 'We're The Millers' was the same. It was a long audition process that I had to go through, but I enjoyed the challenge of that.
I had an audition process that went on for a long time, and I got to spend a lot of time with the guys who are directing the film. Getting to be around them and being around the world a little bit has been the main experience so far. I did my audition on the Millennium Falcon for one of my screen tests, which was pretty cool.
I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.
If you're going to go to an audition, you don't want to go in trying to force yourself into some archetype that has been thought up by a director and translated by a casting director.
On a very small scale, I kind of understand why the directors that I work with do certain things. I don't consider myself an incredible director. I'm not ready to do movies by any means. But, I feel like I can be a better actress now that I've been on the other side and kind of understand the process and more of the technical aspects of it.
No, I went through a process just like I would any other job in which my agent received the breakdown for 'Doctor Who' and I went for my audition. In the original audition, it said you can bring as much to the character, we're looking for what the actor can bring.
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.
She thought of the last couple of years: the boredom, the narrowness of existence, the dearth of anything to look forward to. Yet now, in a single instant, the curtains had been whipped aside, and the windows been thrown open onto a brillant view that had been there, waiting for her, all the time. A view, moreover, laden with the most marvellous possibilities and opportunities.
I had this one audition - I won't say the casting director's name, but she was on the phone the whole time I sang. I was literally doing my audition, and she was on the phone. So I guess whatever it is she was ordering for lunch was more important than the high C's I was belting out.
When I auditioned with Anthony Minghella (The No. 1 Ladies Detective Agency), I loved the audition process, although I hated him for it. Because he had me audition six times for that role. Maybe three hours each. He wanted to see how quickly I could vary.
As a director, it became important to hear that specific role read by that specific actor, and you hear the chemistry, or you don't hear the chemistry. So I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.
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