A Quote by Alden Ehrenreich

I buy myself a present whenever I don't get a role that I really wanted. — © Alden Ehrenreich
I buy myself a present whenever I don't get a role that I really wanted.
I've had that experience many, many, times - when you don't get roles. I'd developed a good muscle for shaking it off. I buy myself a present whenever I don't get a role that I really wanted. You get bummed out, and then you go, 'Oh! Now I get to go buy a present for myself.' That kind of helps.
My parents were just really weird and protective about the music I listened to. Whenever I wanted to buy an album, they would have to buy it first and listen to it and let me know if I could have it.
You get bummed out, and then you go, "Oh! Now I get to go buy a present for myself." That kind of helps.
Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
The Pain-Free Shopping Method: Buy a present for you, then a present for a friend. Then another present for you. Then a present for a friend. Then two presents for you. Then a present for a friend. Then go home, get into bed, and pull up the covers.
I haven't wanted to portray a manager since Paul E. Dangerously was with the Samoan Swat Team in 1989. I've always wanted to do some different presentation in that role. I don't consider myself a manager - I'm an advocate, and I truly believe that that is the description for the role that I play.
I made songs really for myself - I didn't ever expect to put it out there and make this a record for mass consumption, this was really just a way for me to get out of my own situation and reclaim that part of myself - so when making the songs, I wanted a testament to what I'd gone through, I wanted a snapshot of those moments.
Personally, I'm a simple dresser. I usually buy my own clothes. Jeans, T-shirts, summer dresses and track pants. Whenever I get the time or see a shop that catches my fancy, I buy something.
That's really why I wanted to do it. I wanted to be a part of this generation's telling of Camelot, and also get the chance to play a fantastic, complex, interesting, emotionally passionate, young lead role.
In the end I have to hold myself accountable...I had to make a change if I really wanted to reach the goals I had set for myself. I had to get out of being comfortable and get into a situation that was going to really push me.
I was always a little bit of a collector and a hoarder. And whenever I got involved in anything, whatever it was - even when I was a kid and I collected cigarette cards - I really got into it and had the most. So when it came to paintings, once I got the bug, I always wanted to buy something. But I really knew nothing about art.
I always wanted to do good work, but not in order to buy big houses and big cars. I just wanted to be 'alright', to have enough money to be able to live on, to go to the cinema when I wanted to, and buy the books I wanted to read.
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
I've always loved comedy and growing up it was the comedies that I really responded to. So I don't know how it turned out that once I started acting that I started getting a certain kind of role, that I never saw myself as growing up, so I really love when I get an opportunity to play a [comedian] role.
If I were a 13-year-old and I wanted to create subversive art, I wouldn't go out and buy an electric guitar. I'd get myself a personal computer.
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