A Quote by Alden Ehrenreich

Elia Kazan - the films he made were such a big deal for me when I was growing up. — © Alden Ehrenreich
Elia Kazan - the films he made were such a big deal for me when I was growing up.
Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.
I got into a brawl one night in a saloon in Greenwich Village. Elia Kazan, a great director, saw me put out a couple of hecklers and figures there was some Big Daddy in me, just lyin' dormant. And out it came. People still do call me Big Daddy, but to me, inside, I'm no Big Daddy at all.
I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.
I studied with Strasberg, Elia Kazan. They raised the bar. They weren't easy to please, and they made you achieve the best you could do. That's what a teacher does: he infuses you with passion for something.
Elia Kazan understood my problems. He was able to bring out the very best in me. He gave me credit for my intelligence.
My best film composing experience was with Elia Kazan.
'A Face in the Crowd' is Elia Kazan's forgotten movie.
Warren [Beatty] loves to talk about his experiences with [Elia] Kazan.
[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
I have a bit of an obsession with the 1950's and all those actors from Montgomery Clift to James Dean and Anthony Perkins. Just that whole era of Tennessee Williams to Elia Kazan.
Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.
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