A Quote by Alden Ehrenreich

I did my first film with Francis Ford Copploa which spoiled the hell out of me. — © Alden Ehrenreich
I did my first film with Francis Ford Copploa which spoiled the hell out of me.
I did my first film with Francis Ford Copploa, which spoiled the hell out of me.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
I had four years of auditions, and nothing happened, until Francis Ford Coppola took a shot on me ['Tetro' in 2009]. I hadn't done a film, and suddenly I was the lead.
IMDB is ridiculous... First of all, they had me down as my height being 5ft 7ins. I'm 5ft 10ins. But now they've got me down as 6ft 1ins and three quarters. They also have me down as doing Voyage of the Dawn Treader. I wish they had me down as doing Francis Ford Coppola's next film. That would be a great rumour.
If I tried to somehow wrap my head around the fact that Francis Ford Coppola directed my first movie, there's never a slot into which that ever fits in your mind.
Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.
Oh, what the hell did I know? I went to the set the first day in full makeup and the director told me to take it off. So I did the film without makeup. I had nothing to do with anything I did. I never understood why I was so famous.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
I did this film called 'Prom.' It was a Disney movie. And at that point, I didn't know what the hell I was doing. I had no idea how to act. It was purely instinctual. I just remember the first scene I did and the first take, it feeling so right.
I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].
We knew we were doing something that would make an impact, because of Francis [Ford Coppola], but I don't think we were surprised by how well the movie [The Outsiders] did, but I think we would all say we were surprised at how well we all did coming out of it.
Ive never seen a more terrifying film than 'The Bababook'. It will scare the hell out of you as it did me.
I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.
The three auto companies in the United States, they're all scrambling to come up with a plan, some way to reinvent themselves. Well this week Ford did its part. Ford unveiled a new hybrid, the Ford Fusion, which will get almost 40 miles to the gallon. Isn't that amazing? Yeah, and when asked how much it would cost, a spokesman for Ford said, '$25 billion.' They just want that money; they don't care. That's without mud flaps.
My first film as an actor was 'Fast Times at Ridgemont High,' a glorious experience that spoiled me for future films.
I did my first film Junglee and it became a hit. That film was the first one to bring the real colour on the big screen, which was Eastmancolor.
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