A Quote by Aldis Hodge

Every job you do, somebody's looking at it. You're leaving an impression on somebody. What is going to be your footprint? — © Aldis Hodge
Every job you do, somebody's looking at it. You're leaving an impression on somebody. What is going to be your footprint?
They will find somebody younger, somebody funnier, somebody more engaged. As long as the court genre is viable, people are going to be looking for someone to knock me off of my perch.
In real life, a relationship takes a long time. Either somebody is involved with somebody else, and that's ending, or somebody's hung up on an ex, or your job isn't going right, and so you're focused more on that than relationships. It just takes a lot for two people to get together.
For me, a fragrance is another way of leaving an impression on somebody.
I think that one of the things that we have to recognize is that the longer somebody doesn't have a job, the harder it is to get a new job. You know, the reality is that if you're out of job, and you're looking for a job, then the new employer's going to say, 'Well, why, you know, don't you have a job now? What's wrong with you?'
What I don't like in my job is somebody who doesn't put forth the effort. Somebody who doesn't come to play every day.
When somebody was looking in my locker, it was like going in my desk. Somebody happened to be looking in my locker when they shouldn't have been.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
When you have the ability to affect other people and be somebody that somebody wants to emulate, care enough to help somebody else for their benefit, that's what makes you a good teammate, and that's what everybody's looking for.
If you're a young kid out there, put away your Twitter accounts if you want to be a pro football player. Somebody's going to hack your account; somebody's going to cause you problems.
You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
Somebody has to go polish the stars, They're looking a little bit dull. Somebody has to go polish the stars, For the eagles and starlings and gulls Have all been complaining they're tarnished and worn, They say they want new ones we cannot afford. So please get your rags And your polishing jars, Somebody has to go polish the stars.
I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.
Virtually every problem that would show up in your business can be traced back to communications; somebody didn't talk to somebody about something.
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