A Quote by Aldis Hodge
Surviving the elements is working, but being on set and having to do a scene and being in a room with the same people who you actually enjoy and respect, your day project was easy.
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I enjoy just being cocooned in production and it's completely different to your other life that you have. I enjoy that. I enjoy being on the set and hanging out and talking to whoever we're working with and just being in the moment.
There's no substitute to actually being in the room and having people in the room feel the force of your audition. It's very hard to beat that.
There's nothing that compares to actually being in a room and having that sense of collective experience, feeling the music in your body and having all these people around you.
I'm not naive - I think it's rare in the NBA every day to actually be able to enjoy being around the people you're working with.
The credibility comes before you get on air. It comes with coming to the production meeting and having ideas and being prepared and being up on everything that's going on, being professional, and showing up every day and working hard. I think that's where you build the credibility and the respect.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
You increase your self-respect when you feel you've done everything you ought to have done, and if there is nothing else to enjoy, there remains that chief of pleasures, the feeling of being pleased with oneself. A man gets an immense amount of satisfaction from the knowledge of having done good work and of having made the best use of his day, and when I am in this state I find that I thoroughly enjoy my rest and even the mildest forms of recreation.
With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life.
I don't wilt easily, and a director can't either. He's the captain of the ship and he's got to be in total control. He also has to have respect for the people he's working for. From being an actor and being on a set my whole life, I'm very comfortable there. And I'm not afraid.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
Once I got over my initial butterflies, being in the same room and doing a scene with Jimmy Caan was great. I never backed down for one second against him. I loved it. I love those moments. Working with people like that is the greatest joy you can get as an actor.
It makes things very easy when the people you are working for have trust and believe in you and actually really like and respect your work.
When you are balancing perfectly in a tree pose, everything is easy; your breath is deep and relaxed, and your muscles are working for you just as you'd like. It's pure and simple. Efficient. When you are having a great day, the same things occur. Your breathing is relaxed, your body is working harmoniously with your mind; everything just feels easier because you are in a state of balance.
There's something about being there, on the set, in costume, in the moment, where you start to get a feel for the scene, which is not the same as sitting in your office writing it.
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
You spend your whole lifetime in your occupation, actually making life clever, easy and convenient for white people. But when you have to get transportation home, you are denied an equal accommodation. Our existence was for the white man's comfort and well-being; we had to accept being deprived of just being human.
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