A Quote by Aldis Hodge

I can literally count on one hand how many slave stories have gotten notoriety over the past few years. — © Aldis Hodge
I can literally count on one hand how many slave stories have gotten notoriety over the past few years.
I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.
I can't even count how many times I've been pulled over. I can't count how many times I've gone to a club and not got in, how many times a security guard has followed me round a shop. I can't count how many times that somebody has asked me if I'm a footballer because I've come out of a nice car.
Over the past few years, many of us have increasingly begun to question the direction and meaning of our society as it has developed over the past several centuries.
How many stars can you count in the sky? How many mistakes can you count in your life? Stop counting! No clever man ever is stuck in the past!
Sad to think that we won't have any new stories from John Updike, one of the last century's masters. But so many here in the two volumes of his collected stories, 186 by my count, stories to read, reread, savor over the course of a cold season. Updike's genius in the short form spills out of these many, many pages.
Besides music and charity, fashion is one of my interests that has been growing over the past few years. I think it goes so hand in hand, music and fashion.
Guest roles are how you get initiated into the industry. It's fun. Over the course of a few years you realise you've done many shows. You get a chance to prove yourself, and that's how you get jobs because of people who have worked with you in the past and trust you.
It's funny because, growing up, I found inspiration from watching Steffi Graf and Amanda Coetzer, a South African who was in the top 10 for many years. Oh, and then there's someone I've gotten to know over the last few years: Martina Navratilova.
I was a commercial artist when I left school, but luckily I became an actor. I've painted for many, many years. Now the last few years it's gotten more serious.
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
Whenever I have a birthday, I think back over the past year, how I've spent my time, what I've accomplished, what regrets I have, how I've tried to make the world a better place, and what exactly I've been doing with my life over the past 365 days, and I think to myself: 'Man, I wish I'd gotten laid more'.
But the most reliable indication of the future of Open Source is its past: in just a few years, we have gone from nothing to a robust body of software that solves many different problems and is reaching the million-user count. There's no reason for us to slow down now.
The coolest thing I've gotten to do in the past few years is guest star on Sesame Street.
I can count on one hand the number of instrumental hits there have been over the last 10 years.
I can count on one hand the number of instrumental hits there have been over the last ten years.
I can count on one hand how many people I trust.
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