Tribeca Film Festival Doha will be both an industry festival and an audience festival, not just an event for insiders. Community outreach will be a major part of what we're doing. We'll put filmmakers in touch with local, regional, and international audiences.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
When it's a folk festival, there's more of an intention on the song and connecting with people.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
Only in Texas can mesquite have its own festival, then there's a crawfish festival, a festival for strawberries, everything has its own festival, with each town having their own yearly thing.
People used to grow up in small communities where folk wisdom was passed down. But we don't live there anymore. We can't go next door to your aunt and ask her for the answers.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
I grew up in a small, rural community, where my extended family were mountain-folk type people, and some were very religious.
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.
I've worked at this film festival in Telluride called the Telluride Film Festival. Been there since 2002. I used to make popcorn. I was an usher. Cleaned toilets, everything. Grew up there as a kid.
We have a small, tight family. I left home at a young age and the best thing for me was to go home at Christmas-time and spend time with my family and friends. It's kind of funny, most people do turkey and all the trimmings, but we would have a big seafood festival because it's the only time of the year that we'd eat it. We never really went caroling, but once in a while we'd got out for a sleigh ride
Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.
When I was small, I was the same as everyone else. I used to play in a small council estate nearby. But it's really my family who taught me. I started watching my dad play from the age of two. I wanted to be like him.
With 'Half Nelson,' we went to Sundance and then we just bam, bam, bam, festival, festival, festival, festival and then we released in August.
In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.