A Quote by Aldous Harding

That's what I look for in music anyway: I want someone to confuse me to the point where I look inwards rather than at what they're doing. — © Aldous Harding
That's what I look for in music anyway: I want someone to confuse me to the point where I look inwards rather than at what they're doing.
I spent my entire childhood going 'look at me, look at me, look at me,' before realising I needed someone to look at me for more than just what I was showing off for.
I don't feel that I'm a role model. I'm just me. If people want to look up to me then that's their business. I'm not perfect and I don't consider myself to be a role model. But to be honest, I'd much rather my kids look up to me than look up to some rock star who gets off jail more times than is even funny.
I look at my sons' little faces, and I want to be their superhero. I don't want them to have to look outside to a third party for a hero, for someone to look up to and admire. I want that to be ME. I want that person to be MOMMY for them.
I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
In England, I've done a whole bunch of stuff where I just make a complete ass of myself. I've been doing it for 20 years, so I just gravitate toward it anyway. I'd rather do that than do the stuff where I'm supposed to be trying to look cool in some way. It's more interesting to me.
[Wearing padding to make my breasts look larger for a movie] was great, but it also made me think, you know, a lot of women who go out and get implants, what's so insecure about them that they would rather have someone look there than in their eyes?
Men are always optimists when they look inwards, and pessimists when they look round them.
What's important to me is that [photographs] have the appearance of being documents of what goes on. I like the illusion of veracity, that they look like life rather than movie stills. I don't want them to look fabricated.
You search for images and stories and movies and music from people that look like you and sound like you and speak like you because you want to feel like, 'Oh, if they can do it, so can I.' There's a little bit of that need for validation, especially when you're younger and trying to look to someone to look up to.
People say I look younger than the music I'm doing just because the songs are older. Hopefully I can keep my youthful look!
What do you think the appropriate role of government is in society? The way I look at this job is, you want me to do X? Well, is the private sector doing X with any kind of success? Because if they are, I'd rather have them do it than have us do it.
I figure, I want to get a role on my ability, not my size. And anyway, after the director or producer sees me, he remembers what I look like, anyway.
You look at Iran, you look at North Korea, you look at terrorists, we don't even know where to look. We don't know where to look. But believe me, you can look all over, so we are going to do that. We need a form of shield. We want to protect our country.
How do I think of you? As someone I want to be with. As someone as young as me, but "older," if that makes sense. As someone I like to look at, not just because you're good to look at, but because just looking at you makes me smile and feel happier. As someone who knows her mind and who I envy for that. As someone who is strong in herself without seeming to need anyone else to help her. As someone who makes me thinks and unsettles me in a way that makes me feel more alive.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
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