A Quote by Aldous Huxley

[...] Technology has tended to devaluate the traditional vision-inducing materials. The illumination of a city, for example, was once a rare event, reserved for victories and national holidays, for the canonization of saints and the crowning of kings. Now it occurs nightly and celebrates the virtues of gin, cigarettes and toothpaste.
A poor man celebrates the New Year once a year. A rich man celebrates each day. But the richest man celebrates every moment.
I'm trying to find these rare moments where you feel completely illuminated. Facts never illuminate you. The phone directory of Manhattan doesn't illuminate you, although it has factually correct entries, millions of them. But these rare moments of illumination that you find when you read a great poem, you instantly know. You instantly feel this spark of illumination. You are almost stepping outside of yourself and you see something sublime.
These guys Steve Harvey and Cedric the Entertainer and Bernie Mac claim they're the Kings of Comedy. They may be funny, but they ain't no kings. That title is reserved for Rudy Ray Moore and Redd Foxx.
Delicate humor is the crowning virtue of the saints.
A picture was once a rare sort of symbol, rare enough to call for attentive concentration. Now it is the actual experience that is rare, and the picture has become ubiquitous.
It's a failure of national vision when you regard children as weapons, and talents as materials you can mine, assay, and fabricate for profit and defense.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed anddrawn out, and the result, or staple production, is, not slaves, nor operatives, but men,--those rare fruits called heroes, saints, poets, philosophers, and redeemers.
Justice is the crowning glory of the virtues.
Las Vegas is a city of kickbacks. A desert city of greased palms. A place where a $20 bill can buy approval, a $100 bill adulation and $1,000 canonization.
Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.
With a sitcom, everyday you do a run through, and people are judging you, and the scripts are being changed nightly, nightly, nightly.
To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization.
Traditional people of Indian nations have interpreted the two roads that face the light-skinned race as the road to technology and the road to spirituality. We feel that the road to technology.... has led modern society to a damaged and seared earth. Could it be that the road to technology represents a rush to destruction, and that the road to spirituality represents the slower path that the traditional native people have traveled and are now seeking again? The earth is not scorched on this trail. The grass is still growing there.
Bolivia's majority Indian population was always excluded, politically oppressed and culturally alienated. Our national wealth, our raw materials, was plundered. Indios were once treated like animals here. In the 1930s and 40s, they were sprayed with DDT to kill the vermin on their skin and in their hair whenever they came into the city.
China has some cities, traditional cities, with a long history. They are so beautiful, and they were planned so smartly. I call them gardens on the city scale. For example, Beijing has mountains, waters, lakes, bridges, towers. It was a very poetic city.
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