A Quote by Aldous Huxley
Parodies and caricatures are the most penetrating of criticisms.
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If anything, I believe, television anchors have become parodies of themselves, self-caricatures if such a thing is possible. And I'd dismiss it all with a scornful laugh if broadcast news were not so dangerous in fanning misogyny, communalism, fake news and divisiveness.
Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.
If you want criticisms, read the dissenting opinions of the Court. That will give you criticisms.
The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
Caricatures are an important part of our culture of debate. They should defuse political spats through humor and irony. It is about making a strong statement but softening it with a wink. So Danes do not get too upset about caricatures. None of us is interested in insulting Muslims.
Power is not to resist the criticisms; power is to seek for something useful to use amongst the criticisms!
My mind was clear and penetrating at the time, for it was midnight, the hour at which I am most brave and most free.
I think that it's important to make criticisms of the government as a whole and criticisms of the policies, but to do so in a way that you can invite the individuals who maybe were on the opposition before, or who voted for somebody whom you are in disagreement with... that you open the door for a conversation with those people.
The idea of beauty which man creates for himself imprints itself on his whole attire, crumples or stiffens his dress, rounds off or squares his gesture, and in the long run even ends by subtly penetrating the very features of his face. Man ends by looking like his ideal self. These engravings can be translated either into beauty or ugliness; in one direction, they become caricatures, in the other, antique statues.
It seems like everything is so polarized. You get the caricatures of people, the caricatures of their beliefs. "I hate this kind of person" or "I love this kind of person." But actually, there's a lot of great things about them. There are things to like. There's possibility of change.
Authors of published papers and editors of scientific journals can, unfortunately, be slow to come to terms with criticism, and it's good that we can use blogs to express specific criticisms of published articles and to use social media to disseminate these criticisms.
I mean, the part you don't like, I mean, that's the only part. That's the part no one likes, and that is the criticisms, and the unfair criticisms, I might add, of my husband. But that's also just a fact of life in politics.
For me, trees have always been the most penetrating preachers.
There can be no question of selecting in any direction, but of penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life.
While there are perfectly legitimate criticisms that one can make of Israel or the actions of its government - and I have never been shy about making them - those criticisms cross the line into anti-Semitism when they ascribe evil, almost supernatural powers to Israel in a manner that replicates classic anti-Semitic slanders.
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