A Quote by Aldous Huxley
What a gulf between impression and expression! That’s our ironic fate—to have Shakespearean feelings and (unless by some billion-to-one chance we happen to be Shakespeare) to talk about them like automobile salesmen or teen-agers or college professors. We practice alchemy in reverse—touch gold and it turns into lead; touch the pure lyrics of experience, and they turn into the verbal equivalents of tripe and hogwash.
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Midas, they say, possessed the art of old; Of turning whatsoe'er he touch'd to gold; This modern statesmen can reverse with ease - Touch them with gold, they'll turn to what you please.
It is upsetting to many parents that their teen-agers introduce them to their friends as encyclopedia salesmen who are just passing through ... if they introduce them at all. I have some acquaintances who hover in dark parking lots, enter church separately and crouch in furnace rooms so their teen-agers will not be accused of having parents.
Shakespeare's plays often turn on the idea of fate, as much drama does. What makes them so tragic is the gap between what his characters might like to accomplish and what fate provides them.
If you go to a theme park, there will be so many rides. You will get an exciting experience in each of them. Like that, every film is an experience that entertains you. Some films will touch your heart. Some will touch you emotionally. There is nothing more than that.
I have never seen the Philosopher's Stone that turns lead into Gold, but I have known the pursuit of it turn a Man's Gold into Lead.
The period before the game can be important to influence opinions, characters, personalities, feelings, and, of course, I use that to touch my players, to touch opponents, to touch supporters.
I actually didn't like that feeling of being out of touch because what I do depends on being in touch. But it's fun to talk about. That's one of the real dangers of drugs: they're too much fun to talk about.
If you want to "get in touch with your feelings," fine, talk to yourself. We all do. But if you want to communicate with another thinking human being, get in touch with your thoughts. Put them in order, give them a purpose, use them to persuade, to instruct, to discover, to seduce. The secret way to do this is to write it down, and then cut out the confusing parts.
Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
Touch is incredibly important as part of the human experience. Our ancestors relied on human touch to form and strengthen bonds with each other. Touch can accelerate a feeling of connection and releases hormones in our body that engender trust and build connection.
Everything I touch turns to gold.
You have to be careful with fans, they'll turn on you. They turn quick. Twitter can go dark fast. If you talk about something serious on Twitter, you better be ready. If you try to pull out real facts or talk about political opinions or something religious, forget it. Like if people asked me who I was voting for, you couldn't touch that one.
It's definitely a good way to stay in touch with your fans. The main reason I really use Instagram is because I want to hear their thoughts and what would they like to happen and see if I can make that happen. Which is a really nice way of being in touch with them all around the world.
Every day we touch what is wrong, and, as a result, we are becoming less and less healthy. That is why we have to learn to practice touching what is not wrong—inside us and around us. When we get in touch with our eyes, our heart, our liver, our breathing, and our non-toothache and really enjoy them, we see that the conditions for peace and happiness are already present.
With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
Lately I was near the beehives and some of the bees flew onto my face. I wanted to raise my hand, and brush them off. 'No,' said a peasant to me, 'do not be afraid, and do not touch them. They will not sting you at all, if you touch them they will bite you.' I trusted him; not one bit me. Trust me; do not fear these temptations. Do not touch them; they will not hurt you.
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