A Quote by Aldous Huxley

You all remember, I suppose, that beautiful and inspired saying of Our Ford's: History is bunk. — © Aldous Huxley
You all remember, I suppose, that beautiful and inspired saying of Our Ford's: History is bunk.
Americans' lack of passion for history is well known. History may not quite be bunk, as Henry Ford suggested, but there's no denying that, as a people, we sustain a passionate concentration on the present and the future.
I'm inspired by Walt Disney. I'm inspired by Howard Hughes. I'm inspired by Henry Ford. I'm inspired by Steve Jobs. I mean, I'm inspired by James Perse.
I did not say history was bunk. It was bunk to me . . I did not need it very bad.
The White House is such an extraordinary, simple, beautiful place. It's an extraordinary piece of our history, because it is the one thing that binds our country together. We don't have a king obviously, but we have this president, and the fact that almost all of them have lived in the same place, and so much history took place in those rooms. You can't help but feel awe-inspired by being there.
I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from Armageddon to The Perfect Storm and Contact, and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
I look at a lot of artists. I'm inspired by - I suppose I shouldn't say 'inspired,' but it's not really influenced. I am inspired. Art comes from art.
I love 'The Sportswriter' by Richard Ford. Ford really captures for me the bittersweetness of the quietly suffering American man. It's stoic, sad, and really beautiful.
History is more or less bunk.
I am inspired by so much. I am inspired by women, of course - beautiful women. I am also inspired by not so beautiful things in the world.
I lived in a homeless shelter. That's what I mean when I say I've been in situations where people need help. I don't remember my exact age, but I remember there were two bunk beds and five of us in there: me, my three sisters and my mum.
Anyone can look to someone like Ruby Bridges and be inspired. We wanted to emphasize that this really is all of our history and that Black history shouldn't just be segmented into one month and we just move on. This is a huge part of the fabric of our country.
Like many people, I only knew of Ford Madox Ford through a book called 'The Good Soldier,' which is everybody's favorite Ford Madox Ford if they have one, but I came to read 'Parade's End' when it was suggested via Damien Timmer of Mammoth Screen.
I suppose, in the end, we journalists try - or should try - to be the first impartial witnesses of history. If we have any reason for our existence, the least must be our ability to report history as it happens so that no one can say: 'we didn't know - no one told us.'
We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don’t usually serve us up whole scenes complete with dialogue. So I suppose I’m saying that I like to work from what a character is likely to remember, from a more interior place.
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