A Quote by Aldous Huxley

What the rest of us see only under the influence of mescalin, the artist is congenitally equipped to see all the time. — © Aldous Huxley
What the rest of us see only under the influence of mescalin, the artist is congenitally equipped to see all the time.
Whatever else anyone says he was, he may have been. But Tupac really was a great American artist. The passage of time allows us to see things as they really are: We see the poetry; we see the personality; we see different sides.
If you watch the award shows, you'll see variations of the hammer pants. It's always cool to see that and then every now and then, you'll see an artist who's pushing the envelope and it may not be all the way there but you can see where it's coming from. I'm always appreciative of seeing my influence.
Language, that most human invention, can enable what, in principle, should not be possible. It can allow all of us, even the congenitally blind, to see with another person’s eyes.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
Big Data allows us to see patterns we have never seen before. This will clearly show us interdependence and connections that will lead to a new way of looking at everything. It will let us see the ‘real-time’ cause and effect of our actions. What we buy, eat, donate, and throw away will be visual in a real-time map to see the ripple effect of our actions. That could only lead to mores-conscious behavior.
What an artist is for is to tell us what we see but do not know that we see.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
Audiences make up their minds to see only certain films. They see the rest on cable after two weeks.
If you're interested in any artist, go see them live. I always say that you should go see an artist live. That's an experience that only you and the people in the room can say that they have.
When we know something and rest in that knowing we limit our vision. We will only see what our knowing will allow us to see. In this way experience can be our enemy.
Being an artist, I had an artist's instincts.You can see the picture before it's taken; then it's up to you to get the camera to see
I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates.
If busyness can become a kind of violence, we do not have to stretch our perception very far to see that Sabbath time – effortless, nourishing rest – can invite a healing of this violence. When we consecrate a time to listen to the still, small voices, we remember the root of inner wisdom that makes work fruitful. We remember from where we are most deeply nourished, and see more clearly the shape and texture of the people and things before us.
Seeing is more than a physiological phenomenon... We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
If you watch Michael Jackson [1992] concerts from Budapest and compare it to a Madonna concert of today, you'll see such uplifting beauty and a message that you won't see in any other artist of our time.
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