A Quote by Aldous Huxley
Every significant artist is a metaphysician, a propounder of beauty-truths and form-theories.
Related Quotes
For he who would proceed aright... should begin in youth to visit beautiful forms... out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another, and that beauty in every form is one and the same.
There are truths, that are beyond us, transcendent truths, about beauty, truth, honor, etc. There are truths that man knows exist, but they cannot be seen - they are immaterial, but no less real, to us. It is only through the language of myth that we can speak of these truths.
All significant truths are private truths. As they become public they cease to become truths; they become facts, or at best, part of the public character; or at worst, catchwords.
In law, as in every other branch of knowledge, the truths given by induction tend to form the premises for new deductions. The lawyers and the judges of successive generations do not repeat for themselves the process of verification any more than most of us repeat the demonstrations of the truths of astronomy or physics.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience--but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.
Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up.
I now want to tell three stories about advances in twentieth-century physics. A curious fact emerges in these tales: time and again physicists have been guided by their sense of beauty not only in developing new theories but even in judging the validity of physical theories once they are developed. Simplicity is part of what I mean by beauty, but it is a simplicity of ideas, not simplicity of a mechanical sort that can be measured by counting equations or symbols.
Art always serves beauty, and beauty is the joy of possessing form, and form is the key to organic life since no living thing can exist without it.
The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the door of the spirit.
I cannot live in mediocrity, content with merely knowing that there is more of God to experience and explore -and then do nothing about it. Truths that are not experienced are, in effect, more like theories than truths. Whenever God reveals truth to us He is inviting us into a divine encounter.
Every true artist feels that he is touching transcendental truths; that his images are shadows of things seen through the veil.
The first recognition of beauty was one of the most significant events in the evolution of human conciousness... seeing beauty in a flower could awaken humans, however briefly, to the beauty that is an essential part of their own innermost being, their true nature.
I have always found that if, while creating an artwork, the artist constantly feels that some accident would occur if he is not careful, then it is a very significant moment and a significant work.
Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
Maeterlinck says that compared with ordinary truths mystic truths have strange privileges - they can neither age nor die. Beauty is eternal and ugliness, thank God, is ephemeral. Can there be any question as to which should attract the poet?
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer