A Quote by Aldous Huxley

Culture is like the sum of special knowledge that accumulates in any large united family and is the common property of all its members. When we of the great Culture Family meet, we exchange reminiscences about Grandfather Homer, and that awful old Dr. Johnson, and Aunt Sappho, and poor Johnny Keats.
Television's contribution to family life has been an equivocal one. For while it has, indeed, kept the members of the family from dispersing, it has not served to bring them together. By its domination of the time families spend together, it destroys the special quality that distinguishes one family from another, a quality that depends to a great extent on what a family does, what special rituals, games, recurrent jokes, familiar songs, and shared activities it accumulates.
I haven't done any genealogical exploring myself, though members of my family and also of my husband's family have traced things back. I have a great grandfather on my mother's side who was a musician, and I'd like to know more about his life.
Food culture in the United States has long been cast as the property of a privileged class. It is nothing of the kind. Culture is the property of a species.
I connect with my culture through my family. I speak Portuguese to my parents so that I can practice. I stay engaged with my extended family through a lively group chat on WhatsApp. That sense of community and family is the heart of Brazilian culture, and staying engaged with my family is what keeps me connected.
There was a big thing in the Behan family of achieving and wanting to be something special. There was a big drive in the family, even though it was poor and working class, to do something important, to contribute something to Irish culture. He certainly achieved that in a spectacular way.
For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
Warhol came from an ordinary family and he had a profound understanding about capitalism and material culture. He was probably one of the few Western artists - or artists from the United States - that could be considered a true product of his time and brought out that kind of spirit of the culture.
I am a transporter of the Italian culture - culinary culture, family culture - because I love it, I thrive in it, and I think it's the right way.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
After my grandfather died I went down to the basement of my family house where my family kept books, anthologies and things and there was an anthology without any names attached to it and I read a poem called Spellbound and I somehow attached it to my grandfather's death and I thought my grandfather had written it.
You know, the fans, the city have embraced me. The Jazz culture and family have welcomed me with open arms. Any time you have those things clicking on all cylinders, it just makes for a great place to raise your family and be a part of.
I come from a family of actors. My grandfather was like a Laurence Olivier with the Comedie Francaise. Since I was four I went every week to the Comedie Francaise. My aunt and grandmother were there, but my grandfather was a big star.
America's strength in the past has been our ability to bring family members to join other family members in the United States and to look at skills but not have it be the only determination of how you get here.
A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control.
I have a massive Samoan family. And the Samoan culture has always played a massive part of my life. I've got hundreds of family on my dad's side that live in Samoa and in New Zealand. I've just been surrounded by the culture ever since I was a kid.
A free culture is not a culture without property; it is not a culture in which artists don't get paid.
This site uses cookies to ensure you get the best experience. More info...
Got it!