A Quote by Alec Baldwin
I think I'm just like a lot of people who had nothing. We had to amuse ourselves, so we had to become amusing.
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I think I'm just like a lot of people who had nothing.
I always knew what I had, and I knew I was more than just 'the foreign guy.' I have personality, and as soon as I had chance to show it, I just did it. A lot of people don't like it, and a lot of people frown upon it and think I should just be stuck in that box, but it's just not me.
The fifties were pretty rebellious, a pretty rebellious period, around that time. And it was preceding the whole zoot suit thing which I think really contributed to a lot of anxiety, to a lot of frustration, a lot of blaming. And it just like boom, it was very destructive for us as a people, that right away put us on like we had to defend ourselves on every level, every moment. We seemed like we always had to be on guard.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
We'd had books in my house growing up, but we had never had anything like lectures. I had never written an essay for my mother. I had never taken an exam. Because I was working a lot as a kid, I just hadn't elected to read that much.
I'd had a racist experience as a child at age 10, where people had thrown rocks at me and bottles. I didn't understand. And all it was, was because of the color of my skin, nothing I had done, nothing I had said.
I believe a lot of people that are gay, had even had problems like I had in the past. I think they've been hurt by somebody from the opposite sex, and they don't know how to function right in those relationships.
In my late 20s, I realized that I had a very clear social conscience and strong opinions about things like diversity, equality, and education, and while I tried to become more politically literate, I just couldn't catch on. It felt like I had walked into a movie that had already started, and no one would explain what had happened.
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
At the point when I wanted to become a designer, I didn't think about, 'Oh, but I'm a woman,' just like didn't think about like, well, 'I'm Chinese' or that 'I'm in Michigan.' You know, none of those things were obstacles to me. I just had this idea that this is what I had to do.
A lot of times when people become successful, people don't really understand what they had to do or the sacrifices they made to do that, or they assume that they had money. This is coming from, like, a kid who was broke and lived with roaches and a single mom in Dorchester.
It never really felt like I had a lot of substance in my life. I had broken up with my former husband (Ron Samuels) and I kind of looked around. I didn't have a lot of friends. I had become isolated by fame. I longed for a family and some substantive relationships. Fame is a vapor. You can't grab hold of it.
Most people, it seems, think that Robinson Crusoe when he landed on his Island had nothing to keep him from starvation or anything else. As a matter of fact he had twelve raft loads of supplies that he took off the wrecked ship. He had as much food and furniture as if he had had a delicatessen store and Fifth Avenue outside his hut.
I had wanted to be a writer for a very long time, and I had started a lot of books and failed to finish them. I had this terrible pattern of beginning manuscripts and then just losing steam, and I had begun to believe that I just didn't have it in me.
There was one element of my childhood that was really a positive asset for me. By moving a lot, I learned to assimilate into whatever new surroundings I had and to become very comfortable with people quickly. I think that was one of the strongest contributing factors to my becoming an actor, because I constantly had to readjust, even reinvent. But at the same time, it also became very easy for me not to become attached to people, places, or things. I learned to enjoy people and places for the time I had, for the moment, to be in the moment, and move on.
People who have had power, when they become powerless, are really tragic.... We just allow ourselves to be conditioned by a society so we become as important as we're supposed to be.
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