A Quote by Alec Baldwin

When I get onstage in a play, I feel very safe, very protected, very fulfilled. — © Alec Baldwin
When I get onstage in a play, I feel very safe, very protected, very fulfilled.
I think that lyrically, 'Safe' is a very positive song: it's very strong; it's about keeping somebody safe and protecting people. I think everybody anywhere in the world can relate to it. I think everybody wants to feel safe; everybody wants to feel protected.
I feel very at home in an empty church. I feel the most protected. It's very mystical.
We feel that the 2-2-1 press is a very effective means of controlling tempo and providing us with opportunities to capitalize on the mistakes of our opponents. At the same time we feel it is a very safe press because we work very hard at the necessary rotations.
The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.
Sometimes I think it's easier to play someone who's very, very different from yourself. Besides, I wouldn't want to play people who are just like me; that would get awfully boring very fast!
If I'm in America, I'm safe. I feel very safe. But if I step outside of America, it will be a very dangerous situation.
It's physically very, very, very trying to be onstage as a performer, not unlike an athlete, for thirty years.
I very, very, very rarely lose my temper. I do get cross sometimes when encountering something that I feel is improper, that I feel is lacking in justice and equity, and this all sounds very pompous and over the top - but these are the things that really upset me: intolerance, prejudice etc. I suppose in more mundane matters, I'm impatient.
If I play well I'm not very, very happy and if I play badly I'm not very, very sad. I just try to keep my balance.
My early family life was incredibly happy but I was very, very protected and very much living in a bubble. I was born with my legs bent inwards and clawed feet.
A lot of these players, if you listen to the Islanders or the Rangers, they get interviewed in the locker room right after the game, it's very structured answers. They're very protected.
There will be a competition for the memorial. And then it can be developed with trees, with planting. It can become a very beautiful place protected from the streets, because it is below. And it can be something very moving and very private.
I'm very grateful for the way that I feel when I play. I feel very powerful, I feel fast, I feel unstoppable, and that's because of my body.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
Often if you are very, very close with someone, sometimes it does not read. In effect, your dynamic onstage is defused. You share too much onstage. There's sort of a blurring of behavior that doesn't read to the audience as chemistry.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
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