A Quote by Alec Baldwin
I worked all the time. Every moment I wasn't working, I was home with my family. I got divorced. And now I'm doing it all over again, and I've learned that the key is, I've got to work less.
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That is what shooting is. There is no secret sauce, man. You've got to find mechanics that you can make the same every time, and you've got to do it over and over again, and you can't just shoot for rhythm. You've got to understand what you are doing. You have to focus on those details every day.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
The first job I got when I was in high school was working for a department store in New York. I worked in the stockroom. That's when I learned that I couldn't work for anyone else, because I was spoken to in a way that I wasn't spoken to at home.
I believe in God. I got down on my knees and I said, 'I get it. If this isn't for me, then it isn't for me.' And then a week later, I started working. I worked on 'The Following,' I worked on 'Elementary,' I worked on a pilot and then I got 'Orange.' So literally from that moment of deep surrender, that's when you're blessed.
My mom and my real father divorced before I was one. My mom and my stepfather divorced when I was in high school. Then she fell in love with a guy, and the guy died. That was a rough time. She has handled adversity well. That's where I got my work ethic. So my mother's where I got my love of music, but my father's where I got my athletic ability. And my hair loss. And my love of women.
People feel like there're two systems of justice, you know? Over there at Wells Fargo, you know, you had the scandal going on there, but the CEO leaves with a big, giant package. And other folks get in a whole lot of trouble for doing a lot less. The truth is that we have got to make America work for working people again.
You know, all these fancy, detailed diets work only if you are sitting at home doing nothing. If you are working, where is the time to whip up food again and again?
At work you worry over the family at home. At home you fret over work left undone. Behold the working woman's stress.
I wish we'd never got divorced. He and I both wish we'd never got divorced, but we did. I wish I could go back and be the bride again, but I can't.
I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
One of the things that concerned me was the way the system operated: the wife who went out to work got a full personal allowance, but the wife who was working at home got nothing. This was particularly hard on wives who gave up work for a time to bring up children.
I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
It was daylight and I drove everyone home - I was driving a Mini with John and Cynthia and Pattie in it. I seem to remember we were doing eighteen miles an hour and I was really concentrating - because some of the time I just felt normal and then, before I knew where I was, it was all crazy again. Anyway, we got home safe and sound, and somewhere down the line John and Cynthia got home. I went to bed and lay there for, like, three years.
When I'm working in television, I've learned you've got to work fast. You don't have time to rehearse; you don't have time to just mess around. You've got to move quickly. So I pick that up from that world, and I also pick up the idea of development of character and development of situations.
I think what I've learned most from being an actress is that there's no method. That you have to invent this process over and over and over again, depending on who you're working with and what you're doing.
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