A Quote by Alec Baldwin

There's almost no popular music I listen to now. I'll hear it because it's everywhere... Music is ubiquitous now. — © Alec Baldwin
There's almost no popular music I listen to now. I'll hear it because it's everywhere... Music is ubiquitous now.
I do like people who are popular across the years and stuff like that, but I'm not a big pop music fan. I don't listen to the radio unless it's KCRW, like Booka Shade. Yeah, like weird music is what I'm really into right now. But I like anything really. There's just so much. I buy new music almost every day, so there's so much coming in that I don't even have time to listen to something more that twice.
If you listen to certain things then you can hear music everywhere. But it's your perspective on 'what do I listen to, why do I listen, what's going on.' And then you have music.
There's a line I love in Conan The Barbarian where someone says, "That used to be another snake cult, now I see it everywhere." That's certainly true of documentaries. I wouldn't say it's ubiquitous, but it's become close to ubiquitous. It's everywhere.
Indie music is 'it' now. It's kind of a revolution to the music: 1980s, 1990s music was getting very sanitized; they were complying with the music industry. Music was getting more and more dead in a way. Now, because of the social climate that's very severe, the artists are compelled to start being real. It's really great that indie music is now.
I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.
In Mali, you hear music everywhere. What is fantastic in Mali is the music tradition is handed down from father to son orally. It is not written. You learn from your father and add something, because you are living now and telling a story to others. This results in many different interpretations of the same song.
In the digital age we're in now, with satellite radio and Pandora and stuff like that, it's not about, "I listen to this kind of music." It's about, "I listen to good music and bad music."
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
Music is so clearly a commodity now. At one point, maybe 20 years ago, there were still some rumblings about keeping the really sacred American popular music out of the hands of corporate advertisers. And those walls have come down, but now I think the logical reaction to that is that you just start making your own music.
Every now and then, I might listen to music, but I try not to listen to it too much because when you turn on the radio and hear the same song over and over again. You won't appreciate it as much; it won't be as fresh.
I was growing up in a communist time, especially, and the other music, the western music, was banned, so on radio half of the music was Chopin. So my colleagues and I were a little bit allergic to this music because it was everywhere - everywhere!
I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.
Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.
Now anybody can make music at home, and you can hear music on any computer without having to buy it. Everything is apparently better with all the machines we have now, but at the same time, the quality of life is not improving.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
I don't listen to so much music now. I did when I was younger. Music is so much part of my work. I like peace and quiet now when I go home.
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