A Quote by Alec Issigonis
I've always felt that stylists such as you have in America are ashamed of a car and are preoccupied with making it look like something else, like a submarine or an airship...As an engineer, I revolt against this.
Related Quotes
With Submarine, when I came out of school, people were so lovely and supportive. And you don't get that experience very often. It felt like a family on-set. So Submarine changed so much for me.
Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.
My dreams are always quite attainable, I wouldn't like to spend a lot of money on a car. I've got a mental block about splurging on something so visible like that. I could do it on a watch or something because that's quite personal and it isn't something that's on show all the time, but with a car everyone thinks you're a show-off. But one thing I would really like is a Ford Mustang - for me, that's the attainable dream. You look at it and you just think "F*** yes!" - you can hear an electric guitar solo playing in your head!
From very early on in my childhood - four, five years old - I felt alien to the human race. I felt very comfortable with thinking I was from another planet, because I felt disconnected - I was very tall and skinny, and I didn't look like anybody else, I didn't even look like any member of my family.
As a kid, as a poor-ish, working-class kid, even visiting America seemed like an impossible dream. Every time I ever went anywhere in America, it always felt cinematic and dreamlike and like a movie from the '70s or something.
To revolt within society in order to make it a little better, to bring about certain reforms, is like the revolt of prisoners to improve their life within the prison walls; and such revolt is no revolt at all, it is just mutiny. Do you see the difference? Revolt within society is like the mutiny of prisoners who want better food, better treatment within the prison; but revolt born of understanding is an individual breaking away from society, and that is creative revolution.
If I've made something really serene... well, if everything is like that, it's like having too much icing on your cake. You need something else under it, some kind of grounding. It's like if you're making a film, you can't have only happy moments, or else they become meaningless.
I always thought 'plus-size' wasn't a term that was negative - it wasn't something that I felt was something that was making me any different or making me feel like I was lesser than - and I found a community through it.
Making the unbelievable believable is different on a set with 'Fantastic Four,' where it's like, 'Wind machines! Because the airship is coming in and you're pretending to be afraid!'
I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.
I remember that all of a sudden, the car felt like I couldn't control it. It was absolutely the most horrifying experience. We rolled over, off the freeway. I think there was something wrong with the car.
The great thing about making a film on a submarine is that it's kind of like making a play. You've got this limited environment.
When I was 15, I didn't think I was the prettiest at all. But then something happened when I was 20-something - I thought, actually, I really like what I look like. Just because I don't look like everybody else doesn't mean that I can't be just as beautiful.
And there's a visceral fun in watching Team America and making it, like taking a puppet and throwing it against the wall. Because it's not CG, there's something funny about it.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
When I grew up, you needed to have straight hair. It's symbolic of needing to be like everyone else, needing to look like everyone else. And what that meant was looking like the dominant ruling class in America.
Related Authors
Alber Elbaz Quotes
Israeli
Designer
Brad Goreski Quotes
American
Designer
Carolina Herrera Quotes
Venezuelan
Designer
Christian Louboutin Quotes
French
Designer
Coco Chanel Quotes
French
Designer
Diane von Furstenberg Quotes
Belgian
Designer
Donna Karan Quotes
American
Designer
Giorgio Armani Quotes
Italian
Designer
Jonathan Ive Quotes
English
Designer
Karl Lagerfeld Quotes
German
Designer
Lauren Conrad Quotes
American
Designer
Marc Jacobs Quotes
American
Designer
Sonia Rykiel Quotes
French
Designer
Tim Gunn Quotes
American
Designer
Tom Ford Quotes
American
Designer
Vivienne Westwood Quotes
English
Designer