A Quote by Alec Soth
People can talk about the death of social life or whatever; it's not necessarily how I see it. It's more musical in the sense, where it's a feeling about the place I live, slash, who I am in the place.
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The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.
People never hurt others in moments of personal strength and bravery, when they are feeling good about themselves, when they are strong and confident. If we spent all of our waking moments in that place, then fighting for social justice would be redundant; we would simply have social justice and be done with it, and we could all go swimming, or fishing, or bowling, or dancing, or whatever people do. But it is because we spend so much of our time in that other place, that place of diminished capacity, of flagging energy, or wavering and somewhat flaccid commitment, that we have to be careful.
When people use the word hell, what do they mean? They mean a place, an event, a situation absent of how God desires things to be. Famine, debt, oppression, loneliness, despair, death, slaughter--they are all hell on earth. Jesus' desire for his followers is that they live in such a way that they bring heaven to earth. What's disturbing is when people talk more about hell after this life than they do about Hell here and now. As a Christian, I want to do what I can to resist hell coming to earth.
People who are feeling bullied and people who feel like outsiders should talk to their parents and guardians about finding a place with likeminded people where they can feel accepted. That's what I needed, and that's what I found with musical theater.
Having lived in Utah all of my life, I can tell that in many ways I know of no place more lonely, no place more unfamiliar. When I talk about how it is both a blessing and a burden to have those kinds of roots, it can be terribly isolating, because when you are so familiar, you know the shadow.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
I am a Christian person, and I do love the Lord, and I feel no matter who you are, what you believe, how you live your life, it's not my place to judge. I don't have that power. I don't want that power. It's my place to love and to show God's love to other people, even if they don't live a life like I live.
I think that the next album is specifically for sure from Cry Baby's perspective, but it's not necessarily about her family-life or her love-life, or anything like that, it's more about this place in this town. The place has different characters in there, so in every song there's gonna be different characters that appear.
God knows our despair. God wants His chosen people to live in peace. God loves life, cares less about death. We need to live. I want to live, I want my children to live. Everyone I know wants to live. You have to ask yourself what is more important to you, life is death. What is this world about - life or death?
We all have this place in us, a place of strength, harmony and wisdom, but most of the time we don't live there How can we course-correct faster? How can we encourage each other to live in that place more?
I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty.
People always talk about good time rock and roll, Chuck Berry or whatever, like this liberating force for feeling good. But what I need in my life is to be liberated into feeling bad. Not sad. I have plenty of sad. What I need is a place where I can spray anger in sparks like a gnarled piece of electrical cable. Just be mad at stuff and soak in the helplessness.
That's a really common trap that people in small scenes will start to rely on. They'll have all this material joking about that place, and then take a trip to Atlanta or whatever, and be like, "Half my act is gone because I can't talk about how everybody has a bicycle."
Radio Disney is the greatest. As a place where young people can come together, have a place to hear music that doesn't think about genre or whatever, it's an amazing place to have a home!
I don't have a permanent place where I live. I'm in Atlanta about six or seven months out of the year. I gave up on my place in New York. I don't have a place in L.A., but sometimes when I go there for the hiatus, I stay in temporary housing. It's all over the place, and I don't know where I live!
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