A Quote by Alec Soth
[Photography is] very related to poetry. It's suggestive and fragmentary and unsatisfying in a lot of ways. It's as much about what you leave out as what you put in.
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My writing was very much like my diary, and I just put it out there to put it out there because I didn't really know what I was doing. The fact that people related to the songs made me feel less alone in a lot of situations.
'The Stepford Wives' was too big, and it was unsatisfying to do. Not that it was unsatisfying to do, but it was unsatisfying as a result because, as much as I loved parts of it, and I'm really proud of so much of it, the entire movie wasn't what I wanted it to be. It's my own fault; I didn't follow my instincts.
If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
Photography's relationship with pornography is as old as photography. That kind of unholy relationship is formed from the very beginning, and there's a reason why: it's thoroughly enjoyable to be that voyeuristic. Voyeurism is a very old modality, and most of the history of photography is in some way related voyeurism.
I’m more interested in a photography that is ‘unfinished’ - a photography that is suggestive and can trigger a conversation or dialogue. There are pictures that are closed, finished, to which there is no way in.
If you like the precision and concision of poetry, a page of prose is unsatisfying in a certain way. And poetry is so direct.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
And when night comes, and you look back over the day and see how fragmentary everything has been, and how much you planned that has gone undone, and all the reasons you have to be embarrassed and ashamed: just take everything exactly as it is, put it in God's hands and leave it with Him.
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
I don't think it's necessary to put your feelings about photography in words. I've read things that photographers have written for exhibitions and so forth about their subjective feelings about photography and mostly I think it's disturbing. I think they're fooling themselves very often. They're just talking, they're not saying anything.
I was extremely irritated being photographed for a long time, then I gave up caring. Photography is a nauseating cliche, but there is a lot to it. You can tell so much about a person from it. You are exaggerating the consciousness. It's life-thickening, photography.
Poetry is my first love. Photography often fails to look into things. It looks at things. Poetry is so much more truthful.
So yes, I'm trying to think about the connections between politics and poetry. There's an awful lot you could say here.Poetics is a form of poesis, a form of production-construction, but there might be ways of conceiving of that in a much more interesting manner. That's what I'm thinking about at the moment.
There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.
I do not want [photography] explained to me in terms of... formulas, learned, but so hopelessly unsatisfying. I do not want my butterfly stuck on a pin and put in a glass case. I want to see the sunlight on its wings as it flits from flower to flower and I don't care a rap what its Latin name may be.
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